Amati > Makers Archive > S > Lucien Schmitt

Lucien Schmitt

Grenoble, b. 1892

Lucien Schmitt (1892-after 1949) was a distinguished luthier who initially trained as a violinist before dedicating himself to instrument making. He studied with Mougenot in Mirecourt and Bazin for bow making, gaining further experience with prominent workshops in Geneva, Lyons, Nice, and Paris. After serving in World War I, he established his own workshop in Grenoble in 1922, later moving to Meylan. Schmitt developed three distinct models, including personal designs and those inspired by Amati and Guarneri, and was known for his fine workmanship, one-piece backs, and gold-red oil varnish. His son, Jean Frédéric Schmitt, assisted him in later years.

Worked Grenoble
Made Viola, Violin, Violin Bow

Auction Price History

Highest auction price

£8,454

55 results

Type Details Auction house Sold Price
ViolinBearing the maker's label and brands Lot 11VichyDecember 2025£3,609est. € 2.500-3.000
ViolinLabelled Instrument dessiné et entièrement exécuté par Lucien Schmitt Violinier d'Art à Grenoble Lot 67Ingles & HaydayOctober 2025£6,000est. £ 5,000-7,000
ViolinBearing the maker's label n. 4 and signature to the back Lot 74VichyJune 2025£2,598est. € 2.000-3.000
ViolinLabelled Lucien Schmitt, violonier d'art, à Grenoble, instrument dessiné, et entièrement executé par ... Lot 122TarisioJanuary 2024£4,514est. € 4.000-6.000
ViolinBearing the maker's label n. 209 and brand, good condition Lot 4LaurentJanuary 2024£4,893est. € 2.000-3.000
ViolinLabelled Lucien SCHMIT, Luthier à ..., one-piece back, ribs and head similar, table of regular grain Lot 29Millon & A.January 2024£2,655est. € 1.500-2.000
ViolinLabelled Troisième violon de ce modèle dessiné et, entièrement exécuté par, Lucien Scmitt, luthier à ... Lot 89TarisioJanuary 2024£5,635est. € 4.000-6.000
ViolinBearing the maker's label Lot 803VichyNovember 2023£4,334est. € 1.500-2.000
ViolinBearing the maker's label n. 49 an brand Lot 19VichyNovember 2023£4,541est. € 3.000-3.500
ViolinLabelled Lvcien Schmitt Luthier à Grenoble 1925, Tables accordées: tierce mineure Z NoIV, LSG ... Lot 90TarisioMarch 2023£8,454est. $ 4,000-6,000
ViolinLabelled Lucien Schmitt n. 221 Lot 72VichyDecember 2022£3,213est. € 3.000-4.000
ViolinBearing the maker's label and signature Lot 505VichyNovember 2022£3,526est. € 1.500-2.000
ViolaBearing the maker's label and brand Lot 58VichyDecember 2021£6,860est. € 4.000-5.000
ViolinBearing the maker's label n. 181 and signatures Lot 352VichyDecember 2021£2,850est. € 1.500-2.000
Viola BowSilver mounted, octagonal stick stamped Nicolas Delaune a Lyon Lot 160Brompton’sJanuary 2021£960est. £ 800-1,200
ViolinBearing the maker's label n. 124 and brands to the lower rib and internally, one-piece back Lot 55De BaecqueNovember 2020£3,409est. € 2.500-3.000
ViolinLabelled Lucien Schmitt, Luthier à Grenoble - 1935 - No 135, branded to the lower rib L. S. G. Lot 167TarisioNovember 2018£5,937est. $ 2,500-4,000
ViolinLabelled Lucien Schmitt, Grenoble, L'an 1935, no. 394 Lot 1449Gardiner HoulgateJune 2018£816est. £ 300-500
ViolinBearing the maker's label n. 225 and signature Lot 168VichyJune 2017£1,357est. € 1.500-2.000
ViolinMaker's label, one-piece back, varnish of a red brown colour on a golden ground Lot 90ApolliumJune 2017£1,816est. € 2.000-3.000
ViolinLabelled Lucien Schmidt, Violonier d'Art Grenoble, 1959, no. 62 Lot 29Brompton’sDecember 2016£1,680est. £ 1,000-1,500
ViolinLabelled Lucien Schmitt, elève de L. Mougenot, ex ouvrier des 1res maisons de, Genève Paris & Lyon ... Lot 110TarisioOctober 2016£4,800est. £ 2,500-4,000
ViolinN. 78, Mieulx ne scay model Lot 91Crédit MunicipalSeptember 2016£2,366est. € 2.500-3.500
ViolinBearing the maker's label n. 210 and signature Lot 367VichyJune 2016£1,037est. € 1.500-2.000
ViolinBearing the maker's label and brand Lot 372VichyJune 2016£2,357est. € 3.000-4.000
ViolinBearing the maker's label n. 99 and brand Lot 122VichyDecember 2015£3,578est. € 3.000-3.500
ViolinBearing the maker's label and brands Lot 23VichyDecember 2014£1,978est. € 2.000-3.000
ViolinBearing the maker's label n° 88 and brand Lot 406VichyDecember 2014£2,260est. € 2.000-3.000
ViolaMieux ne scay model, no. 45 Lot 3Crédit MunicipalOctober 2014£4,678est. € 10.000-12.000
ViolinBearing the maker's label and brand Lot 114VichyJune 2014£3,870est. € 3.000-4.000
Violin BowSilver mounted, stick stamped LUCIEN SCMITT, Hill style ebony frog Lot 21Crédit MunicipalOctober 2013£1,059est. € 700-900
ViolinLabelled Modele Amati - Vernis formule personnelle, Lucien Schmidt, Luthier a Grenoble, 1926, No. 63 Lot 234TarisioOctober 2013£3,763est. $ 5,000-8,000
ViolinBearing the maker's label n° 195 and brand Lot 119VichyJune 2012£2,717est. € 1.800-2.000
ViolinBearing the maker's label and brand Lot 154VichyJune 2012£3,397est. € 2.600-3.000
Violin36.1 cm Grenoble, 1940 c. Workshop ofJanuary 2011£955
Violin30.8 cm Grenoble, 1955 1/2 size Workshop ofJanuary 2010£380
Violin35.8 cm 1963January 2008£5,040
Violin35.4 cm Grenoble, 1929 WorkshopJanuary 2007£1,361
Violin35.4 cm Grenoble, 1924January 2007£1,682
Violin BowS/E 60.0 g.January 2007£1,589
Violin35.9 cm Grenoble, 1963January 2007£1,725
Violin BowS/E 61.0 g.January 2007£1,495
Violin35.3 cm Grenoble, 1924January 2006£844
Violin35.4 cm Grenoble, 1924January 2006£1,873
ViolinGrenoble, 1935January 2005£1,263
ViolinGrenoble, 1966January 2005£2,400
Violin1964January 2001£3,000
Violin1977January 2001£2,160
Violin1926January 2001£1,175
Violin1924January 2000£1,840
Violin1936January 1999£2,875
Violin BowS/E 62 g.January 1998£920
Viola41.1 cm 1960January 1998£3,450
Violin1924January 1990£1,980
Violin1936January 1988£1,540

Maker Overview

Life

Lucien SCHMITT (1892-after 1949). Sources contain conflicting information regarding his birthplace; he was born in 1892 either in Geneva, Switzerland's The Brompton's Book of Violin & Bow Makers, or at Saint-Julien-en-Genevois in Critical & Documentary Dictionary Of Violin Makers Old & Modern. He died after 1949 in Maylan, France. Schmitt initially pursued a career as a violinist, studying at the Geneva Conservatoire or the Ecole Artistique de Musique at Geneva, where he earned a first prize with commendations from examiners. He subsequently trained as a luthier for two years in Mirecourt with Mougenot, or Mougenot-Jacquet-Gand, and received instruction in bow making from Bazin. His professional experience included working for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and for Caressa and Français in Paris. During World War I, he served as a soldier, was wounded, and received several decorations. Schmitt established his independent workshop in Grenoble from 1922, later relocating to Meylan in 1941. In his later years, he was assisted by his son, Jean Frédéric Schmitt, who was born in 1937.


Characteristics

Models
Lucien Schmitt developed three distinct models: two were derived from the patterns of Amati and Guarneri respectively, while the third was entirely his personal creation. These models were titled 'Modèle Normal', 'Modèle de Soloiste', and 'Mieulx ne Sçay'.
Design Preference
After initially copying Amati, he later favored the Guarnerius model, noting its more powerful tone.
Construction
He crafted instrument backs entirely in one-piece.
Varnish
Schmitt utilized a gold-red oil varnish, which he applied either equably or in graded thicknesses.
Workmanship
His instruments are noted for their fine workmanship.
Branding
Instruments were branded internally and in the pegbox with 'L.S.' and inscribed with 'Lucien Schmitt / Luthier à Grenoble 19.. 1949 Instrument dessiné et entièrement exécuté par / Lucien Schmitt / no.120 / Violonier d'Art à Grenoble'.
Recorded labels
  • Branded internally and in the pegbox: ‘L.S.’ Lucien Schmitt
    Luthier à Grenoble 19.. 1949John Dilworth
  • Instrument dessiné et entièrement exécuté par
    Lucien Schmitt
    no.120
    Violonier d’Art à GrenobleJohn Dilworth

Influence and legacy

  • Luthier Training: He trained for two years in Mirecourt with Mougenot, also referred to as Mougenot-Jacquet-Gand.
  • Bow Making: His bow making skills were developed under the tutelage of Bazin.
  • Restoration: He was admitted into the workshops of Vidoudez in Geneva to learn the art of instrument restoration.
  • Family Involvement: In his later career, Lucien Schmitt was assisted by his son, Jean Frédéric Schmitt, who was born in 1937.

Further Information

  • Workshop Locations: Lucien Schmitt established his independent workshop in Grenoble from 1922, subsequently moving to Meylan in 1941.
  • Professional Engagements: Prior to establishing his own workshop, he worked for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and for Caressa and Français in Paris.

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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

SCHMITT, Lucien Born 1892 Geneva Switzerland, d. after 1949 Maylan France. Studied the violin at Geneva conservatoire. Trained for two years as a luthier in Mirecourt with Mougenot. Studied bow making with Bazin. Worked for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and Caressa and Français in Paris. Wounded during World War I. Established independently in Grenoble from 1922, moving to Meylan 1941. Assisted in later years by his son Jean Frédéric Schmitt (Born 1937). Three models: two derived from Amati and Guarneri respectively and a third entirely personal. These are titled ‘Modèle Normal’, Modèle de Soloiste’ and ‘Mieulx ne Sçay’. Fine workmanship. Branded internally and in the pegbox: ‘L.S.’ Lucien Schmitt / Luthier à Grenoble 19.. 1949 Instrument dessiné et entièrement exécuté par / Lucien Schmitt / no.120 / Violonier d’Art à Grenoble

Henri Poidras+

Born at Saint-Julien-en-Genevois in 1892. Was at first drawn towards the violin, wishing to take it up professionally. To that end, he studied at the Ecole Artistique de Musique at Geneva, where he obtained a first prize, with congratulations from the examiners. Soon becoming enthusiastic about violin-making, he went to Mirecourt and stayed two years with Mougenot-Jacquet-Gand, being initiated into bow making by Bazin. He was then admitted into the workshops of Vidoudez at Geneva to learn restoring, and afterwards joined Lorange in Lyons. Was a soldier in the War and won several decorations. Since then he has worked in Geneva with Vidoudez, in Paris for A. Caressa and in Nice for Mme. Bovis. After having copied Amati, he gave preference to the Guarnerius model, the tone being more powerful. He makes the backs entirely in one-piece and uses a gold-red oil varnish applied equably or in graded thicknesses.

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