Thomas SMITH
Auction price history
Highest auction price
£24,098
| Type | Details | Sold | Price |
|---|---|---|---|
| Violin | May 2014 | £3,500 | |
| Cello | 73.5 cm London, 1770 c. | March 2011 | £10,800 |
| Cello | 73.3 cm London, 1765 | October 2010 | £7,200 |
| Viola | 42.9 cm Lakewood, 1951 | October 2009 | £2,781 |
| Cello | 73.6 cm London, 1765 | October 2009 | £24,098 |
| Cello | 75.0 cm London, 1790 c. [Attributed to] | March 2009 | £7,440 |
| Violin | 35.7 cm 18th C. | November 2006 | £1,823 |
| Violin | London, late-18th C. | May 2005 | £3,053 |
| Cello | London, 1780 c. [Attributed to] | November 2004 | £5,975 |
| Violin | London | October 2004 | £1,750 |
| Cello | London, 1780 | March 2004 | £14,400 |
| Cello | London, 1769 | March 2004 | £11,950 |
| Cello | 1778 | May 2003 | £4,460 |
| Cello | 1780 | March 2002 | £4,250 |
| Cello | 1759 | May 2001 | £13,262 |
| Viola | 39.5 cm 1801 | November 2000 | £5,400 |
| Cello | 1773 | March 2000 | £17,250 |
| Viola | 38.8 cm 1783 | February 2000 | £1,000 |
| Cello | 1757 | November 1999 | £6,325 |
| Violin Bow | Ivory 61 g. Open frog, baroque style | November 1999 | £2,185 |
| Cello | 1770 | June 1996 | £10,925 |
| Cello | 17-- | June 1996 | £3,220 |
| Cello | 1760 | June 1995 | £4,255 |
| Cello | 1782 | December 1994 | £5,897 |
| Cello | 1764 | November 1994 | £6,325 |
| Cello | 1766 | June 1993 | £3,910 |
| Cello | 17-- | July 1992 | £4,950 |
| Cello | 1770 c. | April 1992 | £1,650 |
| Violin | 1763 | September 1991 | £440 |
| Violin | 1750 c. | April 1991 | £1,760 |
| Violin | 1783 | March 1991 | £2,640 |
| Violin | 1790 c. | November 1989 | £990 |
| Violin | 17-- | April 1987 | £495 |
| Violin | 1750 c. | April 1985 | £605 |
| Violin | 1772 | April 1983 | £748 |
| Violin | 17-- | January 1982 | £231 |
| Violin | 1774 | November 1981 | £315 |
| Violin | 1756 | November 1980 | £880 |
Biographies
John Dilworth
SMITH, Thomas Born circa. 1725, died 1789 London UK. Son of William Smith, a music engraver who worked for P. Wamsley. Thomas became Wamsley’s pupil, assistant, and successor at the ‘Harp and Hautboy’ in Piccadilly. Moved to 6 High Street Marylebone 1782. Smith was responsible for most of the work emanating from the shop after Wamsley’s retirement 1741, even though the business remained in the hands of Wamsley’s wife. Smith finally took over in 1751 and used all the same labels and trade cards with only the name altered. He took over the court appointments to King George III and the Duke of York. His work is a little less refined than Wamsley’s, perhaps the better for it, being more strongly wooded and less fragile. The Stainer model is consistent. Golden-yellow varnish. He produced several alto violas and many cellos which are very effective and desirable instruments. Often used local maple with a narrow flame; violas almost invariably with one-piece fronts. His signature appears in several instruments bearing the labels of other contemporary English makers. A bow in the Ashmolean Museum, Oxford branded ‘T.Smith’ is identical to those bearing the Wamsley brand and one of the earliest known to feature an adjustable frog. Made by Thomas Smith / at the harp and hautboy in Pickadilly, / London, 1759 T. Smith 1756 Made by Thos Smith at the harp and / Hautboy in Pickadilly London 1783 / now no.6 High Street, St. Marylebone [BVMA]
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