Amati > Makers Archive > Jacques Boquay

Jacques Boquay

Auction price history

Highest auction price

£21,761

Type Details Sold Price
Violin 36.4 cm Paris, 1720 c. [Probably by] October 2011 £3,750
Violin 35.3 cm [Attributed to] March 2011 £7,200
Violin 35.9 cm Paris, 1715-1720 c. December 2010 £4,142
Violin 35.7 cm Early 18th C. (back center seam open) [Attributed to & possibly by] December 2010 £3,230
Violin 35.9 cm Paris, 1715-1720 c. December 2009 £21,761
Violin 35.9 cm 18th C. [Probably by] October 2009 £8,898
Violin 35.8 cm Paris, 1715 c., without hair December 2008 £5,119
Cello 74.3 cm Paris, 1710-1715 c. (new edges) June 2007 £8,417
Violin 36.1 cm Paris, 1721 June 2006 £3,642
Violin Paris, 1710 November 2005 £9,600
Violin Paris, 1730 c. May 2005 £1,200
Violin Paris, 1710 c. April 2005 £4,699
Violin Paris, 1720 c. [Probably by] February 2005 £5,400
Violin 1730 c. January 2005 £968
Violin Paris, 1730 c. February 2004 £2,271
Violin 1714 May 2003 £4,416
Cello 1710 November 2001 £19,550
Violin 1720 June 2001 £1,596
Violin 1720 June 1999 £3,576
Violin 1715 December 1998 £1,844
Violin 1720 June 1998 £4,101
Violin 1720 April 1998 £10,350
Violin 1719 November 1997 £1,157
Violin 1722 July 1997 £8,000
Violin 17-- March 1996 £4,370
Violin 1724 November 1994 £1,725
Violin 1720 c. March 1994 £5,750
Violin 1725 November 1992 £2,200
Violin 1735 c. March 1992 £3,300
Violin 17-- March 1992 £1,980
Violin 1718 November 1991 £4,840
Violin 1720 November 1991 £3,850
Violin 1719 April 1991 £2,200
Maker Overview

History

Jacques Boquay (d. 1730) was born in Lyons and died in 1730 in Paris, France. He was an important member of the 'Vieux Paris' school, alongside his contemporary Claude Pierray. He worked in Paris from about 1705 to 1735, residing at rue de la Juiverie in 1718 before moving to rue d'Argenteuil in 1719. The inventory of his workshop at his death revealed a large stock of instruments and materials, indicative of a significant commercial enterprise. Sources contain conflicting information regarding the quality of his output; while some suggest he made too many instruments to finish them with care, resulting in a generally poor tone due to badly calculated thicknesses, others describe his violins as good and his violoncellos as handsome instruments with a fine tone.


Craft

  • Models: Jacques Boquay's output included small and 'Grand' Amati model violins.
  • Archings: His instruments featured well-sculpted high arching.
  • Outline: A noticeable quirk of his technique was an abrupt change from the outward curve of the lower bouts to the inward curve of the corner, creating a distinct 'hip' in the outline.
  • Varnish: The varnish on his instruments is described as very transparent, appearing red-brown or sometimes yellow in color.
  • Workshop Inventory: At his death, his workshop inventory included 18 violins, some unvarnished, made by his apprentice Treuillot, along with many violins, cellos, vieilles, and scores of bows.
  • Specific Instruments: An alto dated 1709 is known, as is a violin dated 1718 in the Paris Conservatoire collection. A violoncello dated 1719 and a violin dated 1730 are also documented.

Influence

  • School: Jacques Boquay was an important member of the 'Vieux Paris' school.
  • Contemporaries: He worked alongside his contemporary Claude Pierray, and it is presumed by Willibald Leo Lütgendorff that he was a fellow student of Pierray.

Legacy

  • Collections: A violin dated 1718 made by Boquay is part of the Paris Conservatoire collection, and was notably used by Baillot for teaching.

Further Information

  • Working Period: Jacques Boquay worked in Paris from approximately 1705 to 1735.
  • Addresses: He was living at rue de la Juiverie in 1718 and moved to rue d'Argenteuil in 1719.
  • Workshop Scale: The inventory of his workshop at his death in 1730 indicated a large commercial enterprise, including a substantial stock of instruments and materials.

Summary

Jacques Boquay (d. 1730) was a significant luthier of the 'Vieux Paris' school, born in Lyons and active in Paris from around 1705. He is noted for his Amati model violins and cellos, characterized by high arching and a distinctive 'hip' in the outline. His workshop inventory at his death revealed a substantial commercial operation, including instruments made by his apprentice Treuillot. While some sources praise his violoncellos for their fine tone, others suggest his violins could suffer from poor tone due to inconsistent craftsmanship.

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Biographies

John Dilworth

BOCQUAY (BOQUAY), Jacques b. Lyons, died 1730 Paris France. Important member of the ‘Vieux Paris’ school alongside his contemporary Claude Pierray. The inventory of his workshop at his death reveals a large stock of instruments and materials appropriate to a major commercial enterprise. Amongst many violin, cellos, vieilles, and scores of bows are 18 violins, some unvarnished, made by his apprentice Treuillot. His output includes small and ‘Grand’ Amati model violins. Well-sculpted high arching. An obvious quirk of his technique is the rather abrupt change from the outward curve of the lower bouts to the inward curve of the corner, giving a noticeable ‘hip’ in the outline. Finish a littl

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