Tomaso Eberle
Auction price history
Highest auction price
£63,840
| Type | Details | Sold | Price |
|---|---|---|---|
| Violin | October 2014 | £37,500 | |
| Violin | 35.4 cm Naples, 1771 | June 2011 | £29,758 |
| Violin | 35.3 cm 1780 c. (restorations) [Attributed to] | March 2011 | £28,800 |
| Violin | 35.4 cm Naples, 1776 | October 2010 | £63,840 |
| Violin | 35.9 cm Naples, 1770 c. | October 2010 | £43,250 |
| Violin | 35.4 cm Naples, 1770 c. | October 2009 | £30,000 |
| Violin | 35.4 cm Naples, 1777 | June 2008 | £8,892 |
| Violin | 35.5 cm Naples, 1770 c. | November 2006 | £34,800 |
| Violin | 35.4 cm Naples, 1775 c. (later top) | October 2006 | £5,175 |
| Violin | Naples, 1780 c. | May 2005 | £30,000 |
| Violin | Naples, 1770 c. | May 2005 | £14,400 |
| Violin | 1780 c. | October 2002 | £10,884 |
| Violin | 1780 | June 2002 | £15,375 |
| Violin | 1780 | November 2001 | £18,000 |
| Violin | 1770 | November 2001 | £11,500 |
| Violin | 1770 | June 2001 | £12,650 |
| Violin | 34.8 cm 1780 | November 1999 | £14,195 |
| Violin | 1780 | March 1999 | £18,975 |
| Violin | 1780 c. | November 1998 | £39,100 |
| Violin | 1770 c. | June 1998 | £36,800 |
| Violin | 1779 | June 1996 | £18,400 |
| Violin | 1786 | March 1995 | £31,050 |
| Violin | 1779 | November 1991 | £8,250 |
| Violin | 1784 | November 1990 | £17,600 |
| Violin | 1793 | November 1988 | £14,300 |
| Violin | 1783 c. | November 1985 | £11,000 |
| Violin | 1776 | November 1985 | £7,700 |
| Viola | 37.5 cm 17-- | November 1981 | £2,420 |
| Violin | 177- | May 1980 | £8,800 |
| Cello | 1762 | March 1980 | £18,368 |
Biographies
John Dilworth
EBERLE, Tomaso Born 1727 Vils Austria, Worked circa. 1750-1792 Naples Italy. Brother of Johann Anton Eberle (II), above. How he made the transition from the Tyrol to Naples is not known. In Naples absorbed the methods, materials, and style of the Gagliano school. Contemporary with Nicolo, Gennaro, and Ferdinando Gagliano. Work more consistent and disciplined than that of the Gagliani themselves. Most distinctive are his scrolls; well cut and finely finished but with slight squareness to the spiral which leans back a little from the pegbox. Arching a little boxy but of medium height and very well regulated. Soundholes are generally upright and narrow. Varnish of the golden-yellow Neapolitan type, without the greenish tone which undermines some of the lesser Gagliano work but lacking the red fire of the best. Like other Gagliano makers frequently inserted a religious dedication on a small label inside the upper rib: Gesù e Maria Tomaso Eberle fecit / Nap. 177..
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