Amati > Makers Archive > Johann Karl Klotz

Johann Karl Klotz

Auction price history

Highest auction price

£7,800

Type Details Sold Price
Violin 35.9 cm Mittenwald, 1760 September 2011 £7,800
Violin 35.6 cm Mittenwald, 1780 c. October 2010 £2,640
Violin Mittenwald, 1769 November 2005 £4,342
Violin November 2005 £2,053
Violin 1750 c. May 2005 £1,622
Viola 38.5 cm 1790 November 2002 £4,182
Violin 1795 March 2001 £1,645
Violin 1779 June 2000 £1,955
Viola 38.2 cm 1786 March 2000 £1,840
Violin 1770 c. February 1998 £1,732
Violin 17-- July 1997 £1,800
Violin 1760 c. November 1996 £3,680
Violin 1782 November 1995 £2,760
Violin 1750 c. November 1994 £1,867
Violin 1775 March 1994 £747
Violin 1776 November 1992 £2,090
Violin 1782 June 1991 £2,860
Violin 1752 June 1990 £1,540
Viola 38.6 cm 1793 May 1981 £1,540
Maker Overview

History

Johann Karl Klotz (1709-1769) was born in Mittenwald, Germany, the son of Mathias Klotz (I) and Ursula, née Schlaucher. His godfather was Andreas Jais, described as a "lediger Lautenmacher" (unmarried lutenist). He resided in the lower market in a half-house that previously belonged to Thomas Nebel. Johann Karl Klotz was married to Margaretha Knilling. Sources contain conflicting information regarding his death; John Dilworth states he died in 1769, while Cecie Stainer notes he "died young" and that his instruments are rare.


Craft

  • Model: He worked after a model described as "similar" to others in his family, and also as a "small, an Amati erinnernden Modell" (small, Amati-reminiscent model), according to Willibald Leo Lütgendorff.
  • Soundholes: His instruments featured Cremonese soundholes.
  • Head: A characteristic head with a small inner volute and an extended last turn was typical of his work.
  • Varnish: The varnish he used is described as thin and intense in colour, with some examples showing a more Amati-like golden-brown hue. Willibald Leo Lütgendorff notes he used "dunkelbraunen Lack" (dark brown varnish), while Cecie Stainer observed a "dark varnish, almost black in colour."
  • Workmanship: John Dilworth describes his execution as "less well disciplined... than some others of the family," however, Willibald Leo Lütgendorff considered him "einer der besten Geigenmacher seiner Familie" (one of the best violin makers of his family), and Cecie Stainer states his instruments are "among the best of those made by the Klotz family."
  • Labels: He used manuscript labels up to 1750, thereafter transitioning to printed labels. Examples include: "Ioan. Carol Kloz, in / Mittenvvald, An 1752.", "Johan Carl Klotz fecit / in Mittenwald, 1754", and "Joan Carol Klotz in Mittenwald, an. 1750".

Influence

  • Training: He is thought to have been a pupil of Sebastian Klotz, his half-brother.
  • Apprentices: Johann Karl Klotz trained Phillip Sailer between approximately 1737 and 1742.
  • Family Tradition: He also trained his own sons, Wolfgang and Michael Klotz.

Legacy

  • Collections: A violin made by Johann Karl Klotz from the Sammlung Snoeck (Collection Snoeck), numbered 516, is housed in Berlin.
  • Rarity: Cecie Stainer notes that his instruments are rare and "but little known."

Further Information

  • Workshop Location: Johann Karl Klotz worked in Mittenwald, Germany.

Summary

Johann Karl Klotz (1709-1769) was a German violin maker from Mittenwald, son of Mathias Klotz (I). He was a pupil of his half-brother Sebastian Klotz and trained Phillip Sailer, as well as his sons Wolfgang and Michael. His instruments are characterized by Cremonese soundholes, a distinctive head, and thin, intensely coloured varnish, sometimes golden-brown or dark brown. While John Dilworth noted his execution as "less well disciplined," other sources like Willibald Leo Lütgendorff and Cecie Stainer consider his work among the best of the Klotz family. He used both manuscript and printed labels, and a violin of his is part of the Sammlung Snoeck in Berlin.

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Biographies

John Dilworth

KLOTZ, Johann Karl (Joan Carol) Born 1709, died 1769 Mittenwald Germany Son of Mathias Klotz (I), below. Thought to have been the pupil of Sebastian, his half-brother. He himself trained one apprentice, Phillip Sailer c.1737-1742, and his own sons Wolfgang and Michael, below. Less well disciplined in execution than some others of the family but similar model. Cremonese soundholes, characteristic head with small inner volute and extended last turn. Varnish thin and intense in colour, some more Amati-like golden-brown. Manuscript labels up to 1750; thereafter printed: Ioan. Carol Kloz, in / Mittenvvald, An 1752. Johan Carl Klotz fecit / in Mittenwald, 1754 Joan Carol Kloz / in Mittenwald, An 1780 [Layer, Baader, Senn]

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