Amati > Makers Archive > Jean Francois Pillement

Jean Francois Pillement

Auction price history

Highest auction price

£7,395

Type Details Sold Price
Violin Labelled Pillement, one-piece back, table cracks May 2020 £199
Violin 37.0 cm Mirecourt, mid19th C. May 2011 £656
Violin 36.0 cm Mirecourt, 1800 c. [Probably by] February 2011 £1,410
Violin 36.0 cm Mirecourt, 1810 c. October 2009 £1,320
Violin 36.2 cm Paris, 1800 c. June 2009 £312
Violin 36.0 cm Mirecourt, 1840 c. June 2009 £1,037
Viola 39.3 cm Mirecourt, 1810/1820 c. (some restorations) June 2009 £1,763
Violin 36.3 cm Mirecourt, 1840 c. June 2009 £156
Violin 36.1 cm Mirecourt, 1840 c. (some restorations) June 2009 £830
Violin 35.8 cm Mirecourt, 1800 c. (restored soundpost crack) December 2008 £1,536
Cello 72.4 cm Mirecourt, 1840 c. December 2006 £5,193
Violin 35.8 cm 1800 c. September 2006 £300
Violin 35.9 cm Mirecourt, 1800 c. June 2006 £809
Violin Mirecourt, 1840 c. November 2005 £401
Violin France, 1810 c. June 2005 £4,709
Violin Mirecourt, 1830 c. June 2004 £550
Violin 1790 November 2002 £2,530
Cello 1800 May 2001 £7,395
Cello 1790 c. June 2000 £3,220
Violin 1790 June 2000 £860
Violin 1830 December 1999 £260
Violin 1800 March 1999 £762
Violin 1830 December 1998 £369
Violin 1815 c. November 1996 £1,380
Violin 1790 c. February 1994 £196
Cello 1820 c. September 1992 £2,200
Violin 1800 c. September 1992 £605
Violin 1790 c. 1/2 Size July 1992 £387
Cello 1800 c. June 1991 £2,200
Violin 1800 c. July 1990 £352
Violin 1800 c. July 1990 £176
Cello 1800-25 November 1986 £880
Viola 38.1 cm 1800-25 May 1986 £990
Violin 1800 c. May 1986 £550
Violin 1800 c. March 1986 £388
Violin 1800 c. May 1981 £264
Cello 1800 c. October 1980 £1,430
Maker Overview

History

Jean Francois Pillement (1758-after 1830) was born in 1758 in Mirecourt, France, and died after 1830.

He was known as 'Pillement père', and while some authorities initially assumed 'Jean François Pillement' was his son, John Dilworth clarifies that 'Jean' and 'Jean François' refer to the same individual, and this seems not to be the case.

Willibald Leo Lütgendorff also notes that he was probably from Mirecourt and that a label from 1830 identifies him as F. Pillement père, suggesting a son might have also been a violin maker; this son might be the 'Lété Pillement' in Turin, whose name was found in a guitar.


Craft

  • Instrument Types: He produced many fine violins, cellos, and double basses.
  • Workmanship: His workmanship was not of the first order, and his materials were usually plain.
  • Varnish: The varnish he used was good but inconsistent in shade and texture, and according to Willibald Leo Lütgendorff, it was quite dark.
  • Cello Quality: Willibald Leo Lütgendorff notes that his cellos, whose backs were usually made from one piece, were generally better than his violins.
  • Sound Quality: Willibald Leo Lütgendorff states that his work was very uneven, with some very mediocre violins alongside others that sounded quite good.

Influence

  • Stylistic Evolution: According to John Dilworth, his early work is attributed to the school of Gavinies style, with subsequent work on Amati and finally Stradivari models.

Legacy

  • Museum Collections: The royal collection in Berlin possesses a violin by Pillement from the Snoeck collection (No. 532), as noted by Willibald Leo Lütgendorff.

Further Information

  • Branding and Labeling: His instruments were branded and labeled variously as 'Mirecourt', 'Paris', and 'Cremona', though all were made in Mirecourt.
  • Internal Branding: Instruments were branded internally with 'F. Pillementi / Père. A. Cremona', 'Pillemont père/ à Mirecourt', or 'F. Pillemont père/ à Paris'.
  • Label Examples: Specific labels include 'Pillemont père / à Mirecourt fecit / anno 1799' and 'F. Pillement père / à Paris fecit / anno 1806'.
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Biographies

John Dilworth

PILLEMENT (PILLEMONT), (Jean) François Born 1758, d. after 1830 Mirecourt France. Known as ‘Pillement père’, since some authorities assume that ‘Jean François Pillement’ is his son, but this seems not to be the case. ‘Jean’ and ‘Jean François’ are the same individual. Many fine violins, cellos, and double basses. Branded and labelled variously ‘Mirecourt’, ‘Paris’ and ‘Cremona’, all made nevertheless in Mirecourt. Henley attributes his early work to the school of Gavinies style; subsequent work on Amati and finally Stradivari models. Workmanship not of the first order. Materials usually plain. Varnish good but inconsistent in shade and texture. Branded internally: ‘F. Pillementi / Père. A. Cremona’, ‘Pillemont père/ à Mirecourt’ or ‘F. Pillemont père/ à Paris’. Pillemont père / à Mirecourt fecit / anno 1799 F. Pillement père / à Paris fecit / anno 1806

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