Mathias Daum

History

Mathias Daum (1789-1855) was born in 1789 in Kaidling, Czech Republic, and died in 1855 in Wiener-Neustadt, Austria, according to John Dilworth. Willibald Leo Lütgendorff notes that he was the son of a school teacher. Daum worked for Johann Ertl in Vienna from 1809 to 1811, and subsequently for Michael Stadlmann from 1812 to 1813, remaining with Stadlmann until his death. Lütgendorff states that Stadlmann promised Daum his violin-making tools, shop fittings, and wood supplies, which Daum indeed inherited, considering him "the only subject who managed the business during his illness and stayed with him until the end." On June 3, 1813, Daum requested official permission to take over Magnus Eberle's workshop in Wiener-Neustadt, which was granted on June 11. He took the citizen's oath on February 14, 1814, and married Anna Pflieger on June 17, 1821, with whom he had six children. His name also appears as Thaum.

Craft

• Workmanship: Mathias Daum was recognized as the best maker of the Viennese school, according to John Dilworth.
• Materials: He utilized materials of the highest quality and fine varnish.
• Quality: Willibald Leo Lütgendorff describes him as a capable master, equal to the best Viennese makers.
• Characteristics: His violins are distinguished by a strong, even tone and beautiful form.
• General Assessment: Cecie Stainer notes that he did good work.

Influence

• Mentorship: According to John Dilworth, Mathias Daum was a pupil of Josef Wassermann and Michel Stalmann in Vienna. Willibald Leo Lütgendorff specifies his training under Franz Jos. Wassermann in Znaim and Michael Stadlmann.
• Early Career: He worked for Johann Ertl in Vienna from 1809 to 1811, as detailed by Lütgendorff.

Summary

Mathias Daum (1789-1855) was a highly regarded Austrian violin maker, born in Kaidling, Czech Republic. He trained under Franz Jos. Wassermann and Michael Stadlmann, inheriting Stadlmann's tools and wood supplies after his death. Daum was known for using high-quality materials and fine varnish, producing violins characterized by a strong, even tone and beautiful form, earning him recognition as the best maker of the Viennese school.