Eugenio Degani
Auction price history
Highest auction price
£36,182
| Type | Details | Sold | Price |
|---|---|---|---|
| Violin | March 2012 | £34,850 | |
| Cello | 73.5 cm Venice, 1895 | April 2010 | £29,460 |
| Cello | 75.6 cm Venice, 1885 | October 2009 | £20,391 |
| Violin | 36.1 cm Venice, 1889 | October 2009 | £14,400 |
| Violin | 36.5 cm Venice, 1886 | March 2009 | £15,210 |
| Violin | 35.6 cm Venice 1899 | March 2009 | £27,500 |
| Violin | 35.6 cm Venice, 1899 | November 2008 | £25,935 |
| Violin | 35.8 cm Venice, 1897 | October 2007 | £19,700 |
| Viola | 39.7 cm | November 2006 | £14,704 |
| Violin | 35.8 cm Venice, 1897 | July 2006 | £21,600 |
| Violin | 36.5 cm Venice, 1893 | July 2006 | £13,200 |
| Violin | 36.5 cm Venice, 1894 | April 2006 | £26,400 |
| Violin | Venice, 1887 | November 2005 | £9,600 |
| Violin | Venice, 1891 | May 2005 | £15,600 |
| Violin | Montagnana, 1886 | November 2004 | £21,600 |
| Violin | Montagnana, 1887 | November 2004 | £15,600 |
| Violin | 1889 | July 2003 | £10,200 |
| Violin | 1905 | June 2003 | £14,999 |
| Violin | 1899 | November 2001 | £13,000 |
| Violin | 1895 | November 2001 | £22,325 |
| Violin | 1887 | May 2001 | £15,603 |
| Violin | 1898 | November 1999 | £18,400 |
| Violin | 1893 | June 1999 | £13,800 |
| Violin | 1896 | March 1999 | £18,500 |
| Violin | 1898 | November 1998 | £19,550 |
| Violin | 1897 | November 1998 | £16,675 |
| Cello | 1890 c. | May 1997 | £20,000 |
| Violin | 1893 | November 1996 | £14,375 |
| Cello | 1891 | November 1996 | £36,182 |
| Violin | 1886 | November 1996 | £17,250 |
| Violin | 18-- | March 1996 | £23,000 |
| Violin | 1896 | March 1996 | £20,700 |
| Violin | 1897 | March 1994 | £12,075 |
| Violin | 1887 | March 1994 | £6,820 |
| Violin | 1892 | November 1993 | £11,500 |
| Violin | 1895 | June 1992 | £9,350 |
| Violin | 1891 | June 1992 | £7,700 |
| Cello | 1894 | June 1990 | £14,850 |
| Cello | 1884 | November 1989 | £20,900 |
| Viola | 40.3 cm 1899 | June 1989 | £9,900 |
Maker Overview
History
Eugenio Degani (1842-1901) was born in Merlara in 1842 and died in Venice, Italy, in 1901. He was the son and pupil of Domenico Degani. According to Willibald Leo Lütgendorff, Eugenio Degani was a pupil of his father from the age of 10. At 16, from 1856 to 1866, he trained in organ building with Domenico Malvestio in Montagnana. During the war of 1866, he made guns to sustain himself, utilizing his technical skills. Sources contain conflicting information regarding his early career and movements: John Dilworth states that Degani moved to Montagnana in 1868, where he was making violins from at least 1872, winning a gold medal at the Treviso Esposizione in that year. Lütgendorff, however, indicates that Degani became independent in his birthplace (Merlara) in 1877 as a violin maker. Degani later moved to Venice, with Dilworth citing 1888 and Lütgendorff stating 1887, where he remained until his death. He employed his nephew Giovanni Schwarz, Luigi Chiericato, and Ettore Siega in his workshop. When his son Giulio joined the business in 1898, the firm became known as 'Degani e figlio' or 'Eugenio Degani & Figlio'.
Craft
- Workmanship: Eugenio Degani was a very gifted craftsman whose instruments display individual flourishes and a very high standard of finish, as noted by John Dilworth.
- Design Elements: The edge channel on his instruments is narrow but deeply sunk, rising to a very sharp ridge. The purfling mitres are long, and sometimes the purfling is doubled to five strands of black/white/black/white/black. The pegbox sides are hollowed and brought to a very marked recurve at the lower edge, and the volutes are deeply undercut.
- Models: He often produced instruments of a large overall model, but also created more conventional imitations of Cremonese makers. Willibald Leo Lütgendorff notes that he built according to his own model, featuring five purfling strands (three black and two white) and a specially carved scroll, while also copying old masters.
- Varnish: His instruments are characterized by a fine orange varnish. Lütgendorff praises his varnish, stating its composition was a secret.
Influence
- Training: Eugenio Degani was the son and pupil of Domenico Degani. According to Willibald Leo Lütgendorff, he was a pupil of his father from the age of 10. He also received training in organ building from Domenico Malvestio in Montagnana from 1856 to 1866.
- Teaching: Lütgendorff considers him an excellent teacher of his art.
Legacy
- Awards: Degani won numerous medals throughout his career. These include a gold medal at the Treviso Esposizione in 1872, and further medals at Paris in 1885 and 1900, Bologna in 1888, Turin in 1884, and Palermo in 1892, as documented by John Dilworth. Willibald Leo Lütgendorff states he received more than 15 medals from exhibitions in Treviso, Rovigo, Milan, Arezzo, Naples, Turin, Paris, London, Chicago, Milan, Palermo, and Bologna.
- Family Business: His firm became 'Degani e figlio' or 'Eugenio Degani & Figlio' in 1898 when his son Giulio joined him.
Further Information
- Labels: Instruments by Eugenio Degani bear labels such as "Degani Eugenio / Venezia – Anno 18.." and "Eugenio Degani / piu volte premiato / medaglia d'oro / Venezia", as noted by John Dilworth.
Biographies
John Dilworth
DEGANI, Eugenio Born 1842 Merlara, died 1901 Venice Italy. Son and pupil of Domenico Degani, above. Moved to Montagnana in 1868, where he was making violins from at least 1872 when he won a gold medal at the Treviso Esposizione, and to Venice in 1888 where he remained until his death. Employed his nephew Giovanni Schwarz, Luigi Chiericato, and Ettore Siega. When his son Giulio joined them in 1898, the business became ‘Degani e figlio’. A very gifted craftsman, his instruments display very individual flourishes and a very high standard of finish. The edge channel is narrow but deeply sunk, and rises to a very sharp ridge. The purfling mitres are long, and sometimes the purfling is doubled to five strands of black/white/black/white/black. The pegbox sides are hollowed and brought to a very marked recurve at the lower edge. The volutes are deeply undercut. Often of large model overall, as well as some more conventional imitations of Cremonese makers. Fine orange varnish. Medals won at Paris 1885 and 1900, Bologna 1888, Turin 1884, and Palermo 1892. Degani Eugenio / Venezia – Anno 18.. Eugenio Degani / piu volte premiato / medaglia d’oro / Venezia [Rosengard]
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