Amati > Makers Archive > Johann Uldarichus Eberle

Johann Uldarichus Eberle

Auction price history

Highest auction price

£7,150

Type Details Sold Price
Violin October 2012 £3,500
Violin 35.3 cm Prague, 1745 c. June 2009 £2,308
Violin 35.6 cm Prague, 1766 March 2009 £5,470
Violin 36.3 cm Prague, 1728 ["shows also the hand of Thomas Edinger"] December 2008 £6,056
Violin 35.3 cm Prague, 1760 c. [Attributed to] November 2008 £1,200
Violin 35.7 cm Prague, 1760 c. October 2007 £5,224
Violin 35.4 cm Pargue, 1760 c. [Attributed to] September 2007 £2,160
Violin Prague, 1740 c. April 2005 £1,880
Violin Prague, 1760 c. February 2005 £3,360
Violin Prague, 1740 November 2004 £2,390
Violin 1740 March 2003 £3,760
Violin 1765 November 1999 £5,175
Violin 1760 c. May 1999 £1,829
Violin 1757 March 1999 £2,530
Violin 1767 March 1998 £5,520
Violin 1787 March 1995 £5,750
Violin 1740 October 1994 £2,990
Violin 1750 c. May 1994 £2,152
Violin 1753 March 1994 £1,150
Violin 1760 c. November 1988 £1,980
Violin 1748 September 1987 £935
Violin 1773 April 1987 £7,150
Violin 17-- July 1985 £593
Violin 1749 November 1980 £715
Maker Overview

History

Johann Uldarichus Eberle (1699-1768) was born in 1699 in Vils, Austria, and died in 1768 in Prague, Czech Republic.

He was a pupil of Thomas Edlinger (III) in Prague and established his own workshop in 1727.

He acquired Prague citizenship on February 20, 1726, and is considered one of the best makers of the Prague school.


Craft

  • Model: He primarily used a Stainer model, sometimes incorporating elements of Cremonese styles, reflecting an awareness of Italian forms.
  • Scrolls: His scrolls are described by John Dilworth as stubbornly Tyrolean, featuring a swan-necked pegbox and an extended final turn of the volute.
  • Body and Arching: While scrolls were Tyrolean, the body and arching forms sometimes showed an awareness of Cremonese styles.
  • Edges and Corners: Instruments typically featured small edges and short corners.
  • Soundholes: He crafted finely cut, upright soundholes of Stainer form.
  • Varnish: His instruments were finished with a red-brown varnish of soft oil, which was prone to craquelure, or sometimes amber or brown varnish.
  • Materials: Fine materials were consistently used in his work.
  • Other Instruments: In addition to violins, he also made viola d'amores, violas, and cellos.
  • Workmanship: Cecie Stainer notes his excellent workmanship and describes him as a very clever imitator of Cremona violins, though his instruments sometimes lacked the full round tone of the Italian instruments.

Influence

  • Teacher: He was a pupil of Thomas Edlinger (III) in Prague.
  • Training: According to Willibald Leo Lütgendorff, he learned violin making in his homeland before coming to Prague as an assistant to Thomas Edlinger, though he was not a relative of this master.

Legacy

  • Labels: Examples of his labels include "Joannes Udalricus Eberle / fecit Pragae 1767" and "Joan. Udalricus Eberll, / fecit Pragae. 1744", as cited by John Dilworth. Cecie Stainer notes a label "Joannes Ulricus Eberle, fecit Prague, 1759" and another in a restored viola d'amore: "Joannes Ulricus Eberle, me reparavit Praga-, anno 1749".
  • Preserved Instruments: George Hart mentions that Herr Carli Zoeller owned a Viola d'Amore  by Eberle, dated 1730, which was in excellent preservation.

Further Information

  • Parents: He was the son of Sebastian Eberle and Ursula, born Schonger.

Summary

Johann Uldarichus Eberle (1699-1768) was a prominent violin maker of the Prague school, known for his excellent craftsmanship and imitation of Cremonese styles, often incorporating Tyrolean scroll characteristics. A pupil of Thomas Edlinger (III), he established his own workshop in Prague in 1727 and produced violins, violas, cellos, and viola d'amores.

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Biographies

John Dilworth

EBERLE, Johann Udalrichus Born 1699 Vils Austria, died 1768 Prague Czech Republic. Pupil of Thomas Edlinger (III) in Prague. Established own workshop 1727. One of the best makers of the Prague school. Stainer model, sometimes combining elements of Cremona. Scrolls are stubbornly Tyrolean, with swan-necked pegbox and extended final turn of the volute, but the body and arching forms sometimes reflect an awareness of Cremonese styles. Small edges and short corners. Finely cut upright soundholes of Stainer form. Red-brown varnish of soft oil, given to craquelure. Fine materials used consistently. Also made viola d’amores, violas, and cellos. Joannes Udalricus Eberle / fecit Pragae 1767 Joan. Udalricus Eberll, / fecit Pragae. 1744

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