Tomaso Eberle
Highest auction price
£63,840
Auction price history
| Type | Details | Sold | Price |
|---|---|---|---|
| Violin | Wed 29th October 2014 | £37,500 | |
| Violin | 35.4 cm Naples, 1771 | Wed 1st June 2011 | £29,758 |
| Violin | 35.3 cm 1780 c. (restorations) [Attributed to] | Tue 1st March 2011 | £28,800 |
| Violin | 35.4 cm Naples, 1776 | Fri 1st October 2010 | £63,840 |
| Violin | 35.9 cm Naples, 1770 c. | Fri 1st October 2010 | £43,250 |
| Violin | 35.4 cm Naples, 1770 c. | Thu 1st October 2009 | £30,000 |
| Violin | 35.4 cm Naples, 1777 | Sun 1st June 2008 | £8,892 |
| Violin | 35.5 cm Naples, 1770 c. | Wed 1st November 2006 | £34,800 |
| Violin | 35.4 cm Naples, 1775 c. (later top) | Sun 1st October 2006 | £5,175 |
| Violin | Naples, 1780 c. | Sun 1st May 2005 | £30,000 |
| Violin | Naples, 1770 c. | Sun 1st May 2005 | £14,400 |
| Violin | 1780 c. | Tue 1st October 2002 | £10,884 |
| Violin | 1780 | Sat 1st June 2002 | £15,375 |
| Violin | 1780 | Thu 1st November 2001 | £18,000 |
| Violin | 1770 | Thu 1st November 2001 | £11,500 |
| Violin | 1770 | Fri 1st June 2001 | £12,650 |
| Violin | 34.8 cm 1780 | Mon 1st November 1999 | £14,195 |
| Violin | 1780 | Mon 1st March 1999 | £18,975 |
| Violin | 1780 c. | Sun 1st November 1998 | £39,100 |
| Violin | 1770 c. | Mon 1st June 1998 | £36,800 |
| Violin | 1779 | Sat 1st June 1996 | £18,400 |
| Violin | 1786 | Wed 1st March 1995 | £31,050 |
| Violin | 1779 | Fri 1st November 1991 | £8,250 |
| Violin | 1784 | Thu 1st November 1990 | £17,600 |
| Violin | 1793 | Tue 1st November 1988 | £14,300 |
| Violin | 1783 c. | Fri 1st November 1985 | £11,000 |
| Violin | 1776 | Fri 1st November 1985 | £7,700 |
| Viola | 37.5 cm 17-- | Sun 1st November 1981 | £2,420 |
| Violin | 177- | Thu 1st May 1980 | £8,800 |
| Cello | 1762 | Sat 1st March 1980 | £18,368 |
Biographies
John Dilworth
EBERLE, Tomaso Born 1727 Vils Austria, Worked circa. 1750-1792 Naples Italy. Brother of Johann Anton Eberle (II), above. How he made the transition from the Tyrol to Naples is not known. In Naples absorbed the methods, materials, and style of the Gagliano school. Contemporary with Nicolo, Gennaro, and Ferdinando Gagliano. Work more consistent and disciplined than that of the Gagliani themselves. Most distinctive are his scrolls; well cut and finely finished but with slight squareness to the spiral which leans back a little from the pegbox. Arching a little boxy but of medium height and very well regulated. Soundholes are generally upright and narrow. Varnish of the golden-yellow Neapolitan type, without the greenish tone which undermines some of the lesser Gagliano work but lacking the red fire of the best. Like other Gagliano makers frequently inserted a religious dedication on a small label inside the upper rib: Gesù e Maria Tomaso Eberle fecit / Nap. 177..
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