Amati > Makers Archive > F > Benoit Fleury

Benoit Fleury

Paris, worked 1750–1792

Good work on flat-arched model. Plain materials. Small scroll on extended pegbox and crudely cut soundholes widely set. Dull yellow to orange varnish. Violins, violas, cellos, and double-basses. Benoist Fleury, rue des Boucheries / Faubourg St. Germain a Paris.1759 [Henley] — John Dilworth

Worked Paris
Made Cello, Viola, Violin

Auction Price History

Highest auction price

£20,000

11 results

Type Details Auction house Sold Price
ViolaNot original head of the 18th C., table cracks, back sound post crack Lot 167LaurentDecember 2024£3,196est. € 3.000-4.000
Violin35.8 cm Paris, 1761October 2011£20,000
Cello73.1 cm Paris, 1751March 2011£17,500
Violin35.4 cm Paris, 1757December 2009£8,705
Violin35.9 cm Parit, late 18th C. Ascribed toMay 2008£1,796
Violin1767December 2002£5,297
Viola1791November 2001£2,875
Violin1760June 2000£1,035
Viola41.3 cm 1749March 1996£10,350
Violin1780 c.March 1990£605
Viola41.6 cm 1757April 1982£2,145

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

FLEURY, Benoît Worked circa. 1750-1792 Paris France. Good work on flat-arched model. Plain materials. Small scroll on extended pegbox and crudely cut soundholes widely set. Dull yellow to orange varnish. Violins, violas, cellos, and double-basses. Benoist Fleury, rue des Boucheries / Faubourg St. Germain a Paris.1759 [Henley]

George Hart+

A Viol da Gamba of this maker from the Clapisson collection, is at the Conservatoire, Paris.

Cecie Stainer+

A maker in Paris in the rue des Boucheries about 1751-91. He made fairly good violins. An alto dated 1751 is known and a guitar. In the Paris Conservatoire Collection is a bass-viol, well made, dated 1755. In 1791 he was still working, repairing violins, double-basses, and altos.

Willibald Leo Lütgendorff+

Ein geschickter Lauten- und Geigenmacher, der bei seinen Genossen sehr
angesehen war und zum geschwornen Meister für das Jahr 1755 gewählt wurde.
Er wohnte, und zwar noch 1789 im Faubourg Saint Germain, rue des Boucheries.
Eine Bassviola von 1755 von ihm besitzt das Museum des Pariser Conservatoriums.
Das älteste bisher von ihm bekannte echte Instrument ist ein Alto von 1751, es ist daher sicher ein Irrthum, wenn ihn Hart schon in das Jahr 1718 setzt. Er war ein geschickter Reparateur und auch seine Sackpfeifen (ein Modeinstrument jener Tage) und Leiern waren berühmt.

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