Amati > Makers Archive > John Furber

John Furber

Auction price history

Highest auction price

£6,380

Type Details Sold Price
Violin 35.6 cm London, 1800 c. November 2008 £1,151
Violin 35.7 cm London, 1830 c. October 2008 £2,125
Violin 35.3 cm London, 1820 June 2008 £1,913
Violin 35.8 cm London, early 19th C. March 2008 £1,875
Violin 35.7 cm 1820 c. [Attributed to] March 2008 £1,200
Violin London, 1830 c. March 2004 £2,270
Cello 1814 November 2001 £3,262
Cello 1812 July 2000 £300
Violin 1817 March 1999 £2,070
Violin 1800 c. June 1998 £1,035
Violin 1810 June 1998 £1,035
Violin 1820 March 1997 £2,070
Violin 1817 February 1997 £2,070
Viola 38.7 cm 1820 c. October 1993 £2,530
Viola 41.9 cm 18-- April 1993 £5,175
Violin 1836 September 1992 £935
Violin 1800 c. April 1992 £1,045
Cello 1830 c. June 1991 £6,380
Cello 1820 February 1990 £506
Cello 1810 c. April 1985 £3,520
Violin 1812 April 1985 £410
Cello 1810 c. November 1981 £1,540
Maker Overview

History

John Furber (Born 1780, died after 1857) was the third son of Matthew Furber, sen., and a pupil of his father and John Betts, according to William Meredith Morris and Cecie Stainer. John Dilworth notes that he worked in Turnmill Street in 1810 and at 10 St John's Row from 1813. In 1840 he relocated to 26 Wellington Street. Cecie Stainer adds that in 1841, he was living in Cow Cross, Smithfield. Furber was highly esteemed as a repairer and worked for J. E. Betts at the Royal Exchange, producing many instruments that bore Betts' label.


Craft

  • Significance: Willibald Leo Lütgendorff considered John Furber the most significant member of his family, building numerous good violins.
  • Models: He used the Amati model as a prototype and was a copyist of Stradivari and Amati, as detailed by John Dilworth. William Meredith Morris noted that he made a large number of instruments on the grand Amati pattern and some copies of the "Betts" Stradivari.
  • Workmanship: William Meredith Morris described his work as "excellent in every respect," noting a specific copy with a "broad 'flame'" wood, "golden red, mellow, tender" varnish, and a "clear and penetrating" tone. However, the scroll was considered "somewhat stiff and over masculine."
  • Characteristics: His Amati copies were often modified, sometimes "deeply grooved and highly arched," but consistently produced a "clear and penetrating" tone.
  • Branding: Some examples are branded "Furber" below the back button, according to John Dilworth.

Influence

  • Mentorship: John Furber was a pupil of his father, Matthew Furber, sen and John Betts, as stated by William Meredith Morris.

Legacy

  • Market Value: William Meredith Morris observed that John Furber's best violins realized as much as £20 at the time of his writing and predicted they would sell for a higher figure in the future.

Further Information

  • Addresses: John Dilworth notes his addresses included Turnmill Street in 1810, 10 St John's Row from 1813, and 26 Wellington Street in 1840. Cecie Stainer adds that he was living in Cow Cross, Smithfield, in 1841.
  • Labels: His labels include "JOHN FURBER, MAKER, 13 ST. JOHN'S ROW, TOP OF BRICK LANE, OLD ST., SAINT LUKE, 1839" as cited by William Meredith Morris. Other labels mentioned by John Dilworth include "John Furber. Maker / 13 St.John's Row, top of Brick Lane / Old Saint Luke / 1813" and "John Furber, Maker / 77 Turnmill Street / Clerkenwell / 1810."

Summary

John Furber (Born 1780, died after 1857) was a significant English violin maker, the third son and pupil of Matthew Furber, sen., and also a pupil of John Betts. He worked in various London locations, including Turnmill Street and St John's Row, and was highly regarded as a repairer. Furber was known for producing numerous high-quality violins, often following the Amati model and creating copies of Stradivari instruments, many of which were sold under the Betts label.

Found an error? Report Now
Biographies

John Dilworth

FURBER, John Born 1780, d. after 1857 Clerkenwell, London UK. Brother of Matthew Furber (II), below, working in Turnmill Street 1810 and 10 St John’s Row from 1813. In 1840 he moved to 26 Wellington Street. Credited with most of the instruments sold and labelled by Betts in this period. A considerable and versatile craftsman. Copyist of Stradivari and Amati. Some examples branded below back button: ‘Furber’ John Furber. Maker / 13 St.John’s Row, top of Brick Lane / Old Saint Luke / 1813 John Furber, maker / 10 St John’s Row, Brick Lane, / Old Street John Furber, Maker / 77 Turnmill Street / Clerkenwell / 1810 [BVMA]

Sell your instrument with Amati

Get started by uploading photos of your instrument for our experts to review.