Amati > Makers Archive > G > Giulio Cesare Gigli

Giulio Cesare Gigli

Rome, d. 1794

GIGLI, Giulio Cesare b. c.1724, died 1794 Rome Italy. Apprenticed to Michael Platner from 1738; named successor to the workshop 1753. Comparatively rare maker, but worthy inheritor of the Tecchler and Platner tradition in Rome in the later 18th century. — John Dilworth

Worked Rome
Made Cello, Viola, Violin

Auction Price History

Highest auction price

£59,000

11 results

Type Details Auction house Sold Price
ViolinLabelled Julius Caesar Gigli Romanus, fecit Romae anno 1760 Lot 66TarisioJuly 2020£55,671est. $ 70,000-100,000
ViolinLabelled Laurentius Storioni fecit Cremonae 1799, ribs and scroll later Lot 168Ingles & HaydayMarch 2016£17,400est. £ 16,000-18,000
ViolinLabelled Julius Caefar Gigli Romanus, Fecit Romae Anno 1760 Lot 202TarisioOctober 2014£59,000est. £ 60,000-90,000
Violin35.7 cm 18th C. Attributed toJanuary 2008£6,000
Violin1774January 2003£45,750
Violin1760January 2000£8,625
Cello1757January 1999£30,358
Violin1759January 1990£1,760
Violin1752January 1988£17,600
Viola38.1 cm 1779January 1985£4,620
Viola38.1 cm 1779January 1984£6,519

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

GIGLI, Giulio Cesare b. c.1724, died 1794 Rome Italy. Apprenticed to Michael Platner from 1738; named successor to the workshop 1753. Comparatively rare maker, but worthy inheritor of the Tecchler and Platner tradition in Rome in the later 18th century. Fine work; his cellos in particular are very desirable, with characteristic bold Roman modelling, built on a large scale. Violins also very beautifully made on an individual model of large form, with prominent corners and some residual Stainer influence in arching and soundholes. Very cleanly carved and concentric scroll. Julius Caesar Gigli Romanus / fecit Romae. anno 1761 [Lebet]

Cecie Stainer+

Worked in Rome about 1730-62.

Willibald Leo Lütgendorff+

Wahrscheinlich ein Sohn oder Enkel des 1640 in Rom vorkommenden
Cimbelmachers Giovanni Giglio. Wenn er im Ganzen auch nicht zu den hervorragenden Meistern gehörte, so machte er doch einige bessere Geigen nach
Amati, die in ihrem rothgelben Lack und ihrer Arbeit für ihn sprechen. Das Museum Kraus in Florenz besitzt eine Taschengeige (Violinetto No. 599) von ihm, die nicht ohne Verdienst ist.

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