Amati > Makers Archive > K > Istvan Konya

Istvan Konya

Tata

Today, István Kónya is primarily remembered as the first generation of the Conia family of makers, whose work connects Hungarian violin-making traditions with the modern Cremonese school.

Worked Tata
Made Violin

Auction Price History

Highest auction price

£5,243

11 results

Type Details Auction house Sold Price
ViolinLabelled Kónya István, Tatabánya 1971, inscribed to the inner rib Kónya István, Tatabánya 1971 Lot 105TarisioJanuary 2024£2,085est. $ 4,000-6,000
ViolaLabelled Kónya István, Tata, Hungary. Maestro Liutaio, Diplomato presso la, Scuola Internazionale ... Lot 58TarisioNovember 2018£3,197est. $ 3,000-5,000
ViolinLabelled Kónya István, Tatabánya, Maestro liutaio, Diplomato presso la scuola internazionale di ... Lot 190TarisioNovember 2018£3,654est. $ 4,000-6,000
ViolaLabelled Konya Istvan, Tata, Baji Ut 11, Ungheria, Anno 1986 Lot 87TarisioOctober 2014£1,876est. $ 2,000-3,000
ViolaLabelled Kónya István, Tata, Anno 1977 Lot 68TarisioFebruary 2014£1,980est. $ 3,000-5,000
ViolinLabelled Kónya István, Tatabánya, Anno 1971 Lot 296TarisioFebruary 2013£2,954est. $ 3,000-5,000
CelloLabelled Kónya István, Tata, Anno 1978, back varnish altered Lot 115TarisioNovember 2012£5,243est. $ 10,000-15,000
ViolinLabelled Kónya István, Tata, Anno 1977 Lot 271TarisioNovember 2012£2,247est. $ 4,000-6,000
ViolinLabelled Kónya István, Tata, Baji út 11, Anno 1977 Lot 272TarisioNovember 2012£3,183est. $ 4,000-6,000
ViolinBearing the maker's label Lot 329SkinnersOctober 2012£1,192est. $ 2,000-3,000
ViolaLabelled Istvan Konya, Tata, 1983 Lot 43TarisioJuly 2012£2,295est. $ 3,000-5,000

Maker Overview

Life

István Kónya (1920–1981) was a Hungarian violin maker and the founder of the Conia family’s violin-making tradition. Born in Hungary, he established himself as a respected luthier before his son, Stefano Conia (I), continued the family lineage in Cremona, Italy.

Kónya worked in the Central European tradition of violin making, producing violins, violas, and cellos influenced by the classical Italian masters. His craftsmanship and teaching helped establish the foundation for the later Cremonese career of his son and grandson, Stefano Conia (II) “Il Giovane.”

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