Amati > Makers Archive > P > Jean Francois Pillement

Jean Francois Pillement

Mirecourt, Paris, b. 1758

Jean Francois Pillement (1758-after 1830), also known as 'Pillement père', was a French luthier from Mirecourt who crafted violins, cellos, and double basses. His work, though sometimes uneven, included cellos often considered superior, and his stylistic evolution moved from the Gavinies school to Amati and then Stradivari models. His instruments were branded with various locations, including Mirecourt, Paris, and Cremona, despite all being made in Mirecourt, and a violin by him is preserved in the royal collection in Berlin.

Worked Mirecourt, Paris
Made Cello, Viola, Violin

Auction Price History

Highest auction price

£7,395

46 results

Type Details Auction house Sold Price
ViolinLabelled Pillement, one-piece back Lot 24De BaecqueMay 2020£199est. € 50-100
ViolinOne-piece back of broad curl, table of fine grain, revarnished of a golden brown colour Lot 251ApolliumNovember 2018£235est. € 300-400
ViolinViolin, 1840 c. Lot 871VichyNovember 2017£335est. € 200
Small CelloBranded F. Pillement à Crémone Lot 109VichyJune 2017£5,011est. € 3.000-4.000
ViolinBearing the maker's brand, one-piece back, table of broad grain Lot 107ApolliumJune 2017£1,015est. € 600-800
ViolinBearing the maker's brand internally Lot 964VichyJune 2015£273est. € 300
ViolinBranded internally PILLEMENT A MIRECOURT, not set up Lot 209SkinnersApril 2015£327est. $ 500-700
ViolinBranded I.P. à Paris beneath the nut Lot 866VichyDecember 2013£498est. € 500
ViolinBearing the maker's brand to the back Lot 201VichyDecember 2013£896est. € 1.000-1.500
Double BassBearing the maker's brand Lot 470VichyDecember 2013£5,176est. € 2.000-3.000
Violin37.0 cm Mirecourt, mid19th C.January 2011£656
Violin36.0 cm Mirecourt, 1800 c. Probably byJanuary 2011£1,410
Violin36.0 cm Mirecourt, 1810 c.January 2009£1,320
Violin36.2 cm Paris, 1800 c.January 2009£312
Violin36.0 cm Mirecourt, 1840 c.January 2009£1,037
Viola39.3 cm Mirecourt, 1810/1820 c. (some restorations)January 2009£1,763
Violin36.3 cm Mirecourt, 1840 c.January 2009£156
Violin36.1 cm Mirecourt, 1840 c. (some restorations)January 2009£830
Violin35.8 cm Mirecourt, 1800 c. (restored soundpost crack)January 2008£1,536
Cello72.4 cm Mirecourt, 1840 c.January 2006£5,193
Violin35.8 cm 1800 c.January 2006£300
Violin35.9 cm Mirecourt, 1800 c.January 2006£809
ViolinMirecourt, 1840 c.January 2005£401
ViolinFrance, 1810 c.January 2005£4,709
ViolinMirecourt, 1830 c.January 2004£550
Violin1790January 2002£2,530
Cello1800January 2001£7,395
Cello1790 c.January 2000£3,220
Violin1790January 2000£860
Violin1830January 1999£260
Violin1800January 1999£762
Violin1830January 1998£369
Violin1815 c.January 1996£1,380
Violin1790 c.January 1994£196
Cello1820 c.January 1992£2,200
Violin1800 c.January 1992£605
Violin1790 c. 1/2 SizeJanuary 1992£387
Cello1800 c.January 1991£2,200
Violin1800 c.January 1990£352
Violin1800 c.January 1990£176
Cello1800-25January 1986£880
Viola38.1 cm 1800-25January 1986£990
Violin1800 c.January 1986£550
Violin1800 c.January 1986£388
Violin1800 c.January 1981£264
Cello1800 c.January 1980£1,430

Maker Overview

Life

Jean Francois Pillement (1758-after 1830) was born in 1758 in Mirecourt, France, and died after 1830. He was known as 'Pillement père', and while some authorities initially assumed 'Jean François Pillement' was his son, John Dilworth clarifies that 'Jean' and 'Jean François' refer to the same individual, and this seems not to be the case. Willibald Leo Lütgendorff also notes that he was probably from Mirecourt and that a label from 1830 identifies him as F. Pillement père, suggesting a son might have also been a violin maker; this son might be the 'Lété Pillement' in Turin, whose name was found in a guitar.


Characteristics

Instrument Types
He produced many fine violins, cellos, and double basses.
Workmanship
His workmanship was not of the first order, and his materials were usually plain.
Varnish
The varnish he used was good but inconsistent in shade and texture, and, it was quite dark.
Cello Quality
Willibald Leo Lütgendorff notes that his cellos, whose backs were usually made from one piece, were generally better than his violins.
Sound Quality
Willibald Leo Lütgendorff states that his work was very uneven, with some very mediocre violins alongside others that sounded quite good.
Recorded labels
  • Branded internally: ‘F. Pillementi
    Père. A. Cremona’, ‘Pillemont père
    à Mirecourt’ or ‘F. Pillemont père
    à Paris’. Pillemont père
    à Mirecourt fecit
    anno 1799John Dilworth
  • F. Pillement père
    à Paris fecit
    anno 1806John Dilworth

Influence and legacy

  • Stylistic Evolution:, his early work is attributed to the school of Gavinies style, with subsequent work on Amati and finally Stradivari models.
  • Museum Collections: The royal collection in Berlin possesses a violin by Pillement from the Snoeck collection (No. 532).

Further Information

  • Branding and Labeling: His instruments were branded and labeled variously as 'Mirecourt', 'Paris', and 'Cremona', though all were made in Mirecourt.
  • Internal Branding: Instruments were branded internally with 'F. Pillementi / Père. A. Cremona', 'Pillemont père/ à Mirecourt', or 'F. Pillemont père/ à Paris'.
  • Label Examples: Specific labels include 'Pillemont père / à Mirecourt fecit / anno 1799' and 'F. Pillement père / à Paris fecit / anno 1806'.

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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

PILLEMENT (PILLEMONT), (Jean) François Born 1758, d. after 1830 Mirecourt France. Known as ‘Pillement père’, since some authorities assume that ‘Jean François Pillement’ is his son, but this seems not to be the case. ‘Jean’ and ‘Jean François’ are the same individual. Many fine violins, cellos, and double basses. Branded and labelled variously ‘Mirecourt’, ‘Paris’ and ‘Cremona’, all made nevertheless in Mirecourt. Henley attributes his early work to the school of Gavinies style; subsequent work on Amati and finally Stradivari models. Workmanship not of the first order. Materials usually plain. Varnish good but inconsistent in shade and texture. Branded internally: ‘F. Pillementi / Père. A. Cremona’, ‘Pillemont père/ à Mirecourt’ or ‘F. Pillemont père/ à Paris’. Pillemont père / à Mirecourt fecit / anno 1799 F. Pillement père / à Paris fecit / anno 1806

Willibald Leo Lütgendorff+

Wahrscheinlich ein Mirecourter. Seine Arbeit ist sehr ungleichwerthig:
neben sehr mittelmässigen Violinen findet man manchmal auch solche, die recht
gut klingen. Seine Geigen kommen häufig vor, doch sind seine Violoncelli,
deren Boden meist aus einem Stuck gefertigt sind, in der Regel besser. Sein
Lack ist ziemlich dunkel. Er verwendete eine Brandmarke:
Auf einem Zettel von 1830 bezeichnet er sich als F. Pillement père. Es scheint
also auch sein Sohn Geigenmacher gewesen zu sein; vielleicht ist dies jener
»Lété Pillement« in Turin, dessen Namen man in einer Guitarre las. Die
kgl. Sammlung in Berlin besitzt aus der Sammlung Snoeck eine Geige von
Pillement (No. 532).

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