Amati > Makers Archive > Lucien Schmitt

Lucien Schmitt

Auction price history

Highest auction price

£5,635

Type Details Sold Price
Violin Labelled Lucien Schmitt, violonier d'art, à Grenoble, instrument dessiné, et entièrement executé par ... October 2024 £4,514
Violin Bearing the maker's label n. 209 and brand, good condition June 2024 £4,893
Violin Labelled Lucien SCHMIT, Luthier à ..., one-piece back, ribs and head similar, table of regular grain May 2024 £2,655
Violin Labelled Troisième violon de ce modèle dessiné et, entièrement exécuté par, Lucien Scmitt, luthier à ... February 2024 £5,635
Violin 36.1 cm Grenoble, 1940 c. [Workshop of] July 2011 £955
Violin 30.8 cm Grenoble, 1955 1/2 size [Workshop of] December 2010 £380
Violin 35.8 cm 1963 November 2008 £5,040
Violin 35.4 cm Grenoble, 1929 [Workshop] December 2007 £1,361
Violin 35.4 cm Grenoble, 1924 July 2007 £1,682
Violin Bow S/E 60.0 g. May 2007 £1,589
Violin 35.9 cm Grenoble, 1963 March 2007 £1,725
Violin Bow S/E 61.0 g. March 2007 £1,495
Violin 35.3 cm Grenoble, 1924 November 2006 £844
Violin 35.4 cm Grenoble, 1924 July 2006 £1,873
Violin Grenoble, 1935 November 2005 £1,263
Violin Grenoble, 1966 May 2005 £2,400
Violin 1964 June 2001 £3,000
Violin 1977 June 2001 £2,160
Violin 1926 March 2001 £1,175
Violin 1924 November 2000 £1,840
Violin 1936 November 1999 £2,875
Violin Bow S/E 62 g. June 1998 £920
Viola 41.1 cm 1960 March 1998 £3,450
Violin 1924 June 1990 £1,980
Violin 1936 June 1988 £1,540
Maker Overview

History

Lucien SCHMITT (1892-after 1949). Sources contain conflicting information regarding his birthplace; he was born in 1892 either in Geneva, Switzerland, according to John Dilworth's The Brompton's Book of Violin & Bow Makers, or at Saint-Julien-en-Genevois, as stated by Henri Poidras in Critical & Documentary Dictionary Of Violin Makers Old & Modern. He died after 1949 in Maylan, France. Schmitt initially pursued a career as a violinist, studying at the Geneva Conservatoire or the Ecole Artistique de Musique at Geneva, where he earned a first prize with commendations from examiners. He subsequently trained as a luthier for two years in Mirecourt with Mougenot, or Mougenot-Jacquet-Gand, and received instruction in bow making from Bazin. His professional experience included working for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and for Caressa and Français in Paris. During World War I, he served as a soldier, was wounded, and received several decorations. Schmitt established his independent workshop in Grenoble from 1922, later relocating to Meylan in 1941. In his later years, he was assisted by his son, Jean Frédéric Schmitt, who was born in 1937.


Craft

  • Models: Lucien Schmitt developed three distinct models: two were derived from the patterns of Amati and Guarneri respectively, while the third was entirely his personal creation. These models were titled 'Modèle Normal', 'Modèle de Soloiste', and 'Mieulx ne Sçay'.
  • Design Preference: After initially copying Amati, he later favored the Guarnerius model, noting its more powerful tone.
  • Construction: He crafted instrument backs entirely in one-piece.
  • Varnish: Schmitt utilized a gold-red oil varnish, which he applied either equably or in graded thicknesses.
  • Workmanship: His instruments are noted for their fine workmanship.
  • Branding: Instruments were branded internally and in the pegbox with 'L.S.' and inscribed with 'Lucien Schmitt / Luthier à Grenoble 19.. 1949 Instrument dessiné et entièrement exécuté par / Lucien Schmitt / no.120 / Violonier d'Art à Grenoble'.

Influence

  • Luthier Training: He trained for two years in Mirecourt with Mougenot, also referred to as Mougenot-Jacquet-Gand.
  • Bow Making: His bow making skills were developed under the tutelage of Bazin.
  • Restoration: He was admitted into the workshops of Vidoudez in Geneva to learn the art of instrument restoration.

Legacy

  • Family Involvement: In his later career, Lucien Schmitt was assisted by his son, Jean Frédéric Schmitt, who was born in 1937.

Further Information

  • Workshop Locations: Lucien Schmitt established his independent workshop in Grenoble from 1922, subsequently moving to Meylan in 1941.
  • Professional Engagements: Prior to establishing his own workshop, he worked for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and for Caressa and Français in Paris.

Summary

Lucien Schmitt (1892-after 1949) was a distinguished luthier who initially trained as a violinist before dedicating himself to instrument making. He studied with Mougenot in Mirecourt and Bazin for bow making, gaining further experience with prominent workshops in Geneva, Lyons, Nice, and Paris. After serving in World War I, he established his own workshop in Grenoble in 1922, later moving to Meylan. Schmitt developed three distinct models, including personal designs and those inspired by Amati and Guarneri, and was known for his fine workmanship, one-piece backs, and gold-red oil varnish. His son, Jean Frédéric Schmitt, assisted him in later years.

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Biographies

John Dilworth

SCHMITT, Lucien Born 1892 Geneva Switzerland, d. after 1949 Maylan France. Studied the violin at Geneva conservatoire. Trained for two years as a luthier in Mirecourt with Mougenot. Studied bow making with Bazin. Worked for Vidoudez in Geneva, Lorange in Lyons, Madame Bovis in Nice, and Caressa and Français in Paris. Wounded during World War I. Established independently in Grenoble from 1922, moving to Meylan 1941. Assisted in later years by his son Jean Frédéric Schmitt (Born 1937). Three models: two derived from Amati and Guarneri respectively and a third entirely personal. These are titled ‘Modèle Normal’, Modèle de Soloiste’ and ‘Mieulx ne Sçay’. Fine workmanship. Branded internally and in the pegbox: ‘L.S.’ Lucien Schmitt / Luthier à Grenoble 19.. 1949 Instrument dessiné et entièrement exécuté par / Lucien Schmitt / no.120 / Violonier d’Art à Grenoble

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