Amati > Makers Archive > Georg Frederic Schwartz

Georg Frederic Schwartz

Auction price history

Highest auction price

£14,983

Type Details Sold Price
Violin Bow S/E 58 g. without winding December 2010 £4,660
Violin Bow N/E 60 g. France, mid-19th C. [Atributed to] October 2010 £6,875
Violin Bow S/E 60.0 g. April 2010 £10,998
Viola Bow S/E 58.0 g. April 2010 £2,137
Cello 75.5 cm Strasbourg, 1847 May 2008 £14,983
Cello Bow G/E 76 g. without winding (frog chevall) [Made for] December 2007 £4,935
Violin Bow S/E 60.0 g. May 2007 £7,512
Cello Bow S/E 81 g. June 2003 £10,738
Violin Bow G/E 59 g. June 2001 £920
Cello Bow S/E 79 g. November 1989 £4,180
Violin Bow S/E 60 g. July 1985 £3,520
Maker Overview

History

Georg Frederic SCHWARTZ (1785-1850) was born on April 7, 1785, in Strassburg, and died on December 29, 1849, in Strassburg, according to Cecie Stainer, though John Dilworth states his death year as 1850. He was the son and pupil of Bernard Schwartz.

Sources contain conflicting information regarding the continuation of the family business. According to Willibald Leo Lütgendorff and Cecie Stainer, Georg Frederic Schwartz, along with his brother Théophil Wilhelm, continued their father's business from 1821, which became known as "Freres Schwartz" after their father's death. However, John Dilworth states that Georg Frederic's workshop continued after his own death by his brother, Théophil.

Georg Frederic Schwartz specialized in bow making from approximately 1810, focusing predominantly on this craft, while his brother Théophil was chiefly concerned with instrument making within the "Freres Schwartz" partnership.


Craft

  • Bow Making Style: Georg Frederic Schwartz crafted bows in the style of Tourte.
  • Materials and Workmanship: His bows featured particularly fine metalwork and were constructed with pernambuco sticks, often adorned with gold, silver, and tortoiseshell mountings.
  • Branding: His bows were typically branded "SCHWARTZ" on one side of the handle and "STRASBOURG" on the other, or generally marked near the nut with "Schwartz, Strasbourg."
  • Instrument Production (Freres Schwartz): The partnership "Freres Schwartz" produced very good violins and violoncellos. Their first violin was dated 1824, and between 1824 and 1852, they produced approximately 80 violins and 30 violoncellos.

Influence

  • Mentorship: Georg Frederic Schwartz was the son and pupil of Bernard Schwartz.

Legacy

  • Reputation: Georg Frederic Schwartz gained a well-merited reputation for his bow making.
  • Workshop Continuation: After his death, his brother Théophil continued to use the "SCHWARTZ" brand on German and Mirecourt bows, though these were noted by John Dilworth to be of lesser quality.

Further Information

  • Partnership Label: The "Freres Schwartz" partnership used labels such as "Freres Schwartz a Strasbourg 1833 No 15" for their instruments.
  • Branding Location: His bows were generally marked near the nut with "Schwartz, Strasbourg."

Summary

Georg Frederic SCHWARTZ (1785-1850) was a prominent bow maker from Strasbourg, France, and the son and pupil of Bernard Schwartz. He specialized in bow making from around 1810, crafting bows in the style of Tourte, known for their fine metalwork and use of pernambuco, gold, silver, and tortoiseshell. His bows were typically branded "SCHWARTZ, STRASBOURG." While he focused on bows, he also participated in the "Freres Schwartz" partnership with his brother Théophil, which produced violins and violoncellos. He earned a strong reputation for his bow making, though the quality of bows bearing his brand declined after his death when continued by his brother.

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Biographies

John Dilworth

SCHWARTZ, Georg Frédéric Born 1785, died 1850 Strasbourg France. Bow maker. Son and pupil of Bernard Schwartz, above. Specialist bow maker from c.1810, in the style of Tourte. Particularly fine metalwork, pernambuco sticks with gold, silver and tortoiseshell mountings. Branded SCHWARTZ on one side of the handle, STRASBOURG on the other. His workshop continued after his death by his brother, Théophil, below, who continued to use the brand on German and Mirecourt bows of lesser quality.

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