Robert Thompson

History

Robert Thompson (circa 1743-1770) worked in London, UK, and was the brother of Peter Thompson.

According to John Dilworth, he succeeded to the business of Daniel Wright, which was formerly the workshop of Barak Norman at the sign of the 'Bass Violin' (or the 'Bass Viol') near the Chapter House on the north side of St. Paul's Churchyard.

This location was in opposition to his brother Peter's shop at the west side of the churchyard.

Robert Thompson moved to 8 Lombard Street (also referred to as Sherborne Lane) in 1770.

John Dilworth notes that Robert is the only one of the family whose signature has been found inside an instrument, suggesting he was an actual maker rather than an entrepreneur, citing a signature inside a cello labelled and sold by John Simpson: 'Robert Thompson, London 1745'.

Cecie Stainer states that he was succeeded by his sons, Charles and Samuel, who worked about 1775-1785.

Willibald Leo Lütgendorff also mentions that around 1764, he operated his business jointly with one of his sons, likely Charles, who appeared to be the eldest.

Craft

• Model: Instruments were made on the Stainer pattern, a common practice among his contemporaries in England, as noted by Cecie Stainer, William Meredith Morris, Henri Poidras, and Willibald Leo Lütgendorff.
• Varnish: John Dilworth describes the varnish as a 'dull grey-brown', while Henri Poidras mentions 'yellow varnish'.
• Workmanship: John Dilworth characterizes the standard as 'mediocre' in Stainer imitations, whereas William Meredith Morris describes it as 'Good average work', and Willibald Leo Lütgendorff states 'Seine Arbeit ist gut' (His work is good).

Influence

• Mentorship: John Dilworth suggests that Robert and his brother Peter were probably pupils of Daniel Wright.
• Tradition: They continued in a similar standard of Stainer imitations, following the tradition of their probable teacher.

Legacy

• Family Continuity: Cecie Stainer reports that Robert Thompson was succeeded by his sons, Charles and Samuel, who worked from about 1775 to 1785.
• Collaborations: Willibald Leo Lütgendorff notes that around 1764, he operated his business jointly with one of his sons, likely Charles.
• Later Generations: Samuel and Peter Thompson, instrument makers, were also mentioned in the musical directory of 1794 in St. Paul's Churchyard.

Further Information

• Addresses:
  • 'Bass Violin' (or 'Bass Viol') near the Chapter House on the north side of St. Paul's Churchyard.
  • 8 Lombard Street (also referred to as Sherborne Lane) from 1770.
  • Paul's Ally, St. Paul's Churchyard.
  • The west end of St. Paul's Churchyard (for 'Thompson and Son').
• Labels:
  • Printed label: 'Robert Thompson at the Bass-Violin in / Paul's Ally, St. Paul's Churchyard / London 1749'.
  • Printed label: 'Robert Thompson / fecit, London, 1743'.
  • Printed label: 'Robert Thompson / no 8 Lombard Street'.
  • Label from Cecie Stainer: 'Robert Thompson att the Bass-Violin in Paul's ally. St- Paul's Churchyard, London, 1749'.
  • Label from Cecie Stainer: 'Made by Thompson and Son at the Bass-Violin, the west end of St- Paul's Churchyard, London, 1764'.
  • Printed label for his sons: 'Made and sold by Chas. and Saml. Thompson in St. Paul's Churchyard' (dated 1775 and 1785).

Summary

Robert Thompson was a London-based violin maker active from approximately 1743 to 1770, known for producing instruments on the Stainer model.

He operated from the former workshop of Barak Norman at the sign of the 'Bass Violin' near St. Paul's Churchyard before moving to 8 Lombard Street in 1770.

Likely a pupil of Daniel Wright, he was the brother of Peter Thompson and is notable for being the only family member whose signature has been found inside an instrument, suggesting direct craftsmanship.

Sources indicate his sons, Charles and Samuel, continued the family's instrument-making tradition.