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James L. Wilson

Greenock, b. 1847

James L. Wilson (1847-unknown) was a Scottish violin maker born in Galston who began his craft in 1887. Though an amateur, his work was of professional quality, earning him a gold medal in 1893 at the Greenock Exhibition. He was a pupil of John A. Mann and was known for his clean workmanship, imitations of models by Stradivari, Guarneri, Gasparo da Salò, and Maggini, and his distinctive Whitelaw oil varnish. Wilson's instruments are identifiable by his internal inscriptions, including a self-portrait bust, rather than traditional labels.

Worked Greenock
Made Violin
Taught by J. Mann

Auction Price History

Highest auction price

£960

6 results

Type Details Auction house Sold Price
ViolinBack and ribs in figured maple, table in spruce, interior signed James Wilson in ink Lot 995McTear'sJanuary 2024£595est. £ 400-600
Labelled Made by James L. Wilson, Greenock 19/07, numbered 54 Lot 123March 2015£960est. £ 1,000-1,500
Violin1889January 2000£230
Violin1900 c.January 1992£220
Violin1890January 1989£264
Violin1923January 1988£605

Maker Overview

Life

James L. WILSON (1847-unknown) was born in Galston on April 13, 1847, and began making violins in 1887. Although he was not a professional maker, his work exhibited no trace of amateurism in British Violin Makers. He established himself independently in Greenock from 1889. Wilson was also artistically inclined, capable of painting very fairly in oil and water-colours.


Characteristics

Models
He imitated the models of Stradivari, Guarneri, Gasparo da Salò, and Maggini, with his copies of Gasparo da Salò being particularly true to the original and beautifully finished. John Dilworth notes fine professional work on Guarneri models.
Varnish
He used Whitelaw oil varnish, which generally featured a crackled texture and appeared in various shades of red and orange-brown.
Labeling
Instead of inserting a label, he would write inside his violins. He generally drew a bust of himself with indelible ink on the back of the violin under the button. Instruments were also signed internally, with a manuscript label example cited by Rattray as "James L. Wilson / Violin Greenock no 54 1907".
Workmanship
His work was described as very clean. One example from 1907, cited by Rattray, featured eccentricities in the head carving, in the manner of Degani.
Recorded labels
  • James L. Wilson
    Violin Greenock no 54 1907John Dilworth

Influence and legacy

  • Mentorship: He received lessons in violin-making from the late John A. Mann in Glasgow.
  • Associates: He was a pupil of J. Mann alongside A. Morrison.
  • Awards: He received a gold medal in 1893 for an exhibit of violins at the Greenock Exhibition.
  • Recognition: William Meredith Morris suggested that his work as an amateur violin-maker was of great merit and would bring him considerable fame if he persevered.

Further Information

  • Working Period: He worked circa 1889-1910.
  • Workshop Location: He worked at 20 Octavia Cottages, Greenock.

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Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

WILSON, James L. Born 1847 Galston, Worked circa. 1889-1910 Greenock, Scotland UK. Pupil of J. Mann in Glasgow, with A. Morrison. Established independently in Greenock from 1889. Fine professional work on Guarneri models. One example of 1907 cited by Rattray with eccentricities in the head carving, in the manner of Degani. Henley also cites Stradivari and Maggini copies. Whitelaw oil varnish, generally with a crackled texture. Various shades of red and orange-brown. Signed internally. Manuscript label: James L. Wilson / Violin Greenock no 54 1907 [Rattray]

William Meredith Morris+

He was born in Galston, April 13, 1847, and he works at 20 Octavia Cottages, Greenock. He is not a professional maker, albeit his work has not a trace of the amateur about it. Nothing can be more true to the original than his copies of Gasparo da Salo, nor more beautifully finished than his last half-a-dozen instruments. He got a few lessons in violin-making from the late John A. Mann, and being of an artistic turn of mind, he soon made progress. He can paint very fairly in oil and water-colours, and he generally draws a bust of himself with indelible ink on the back of the violin under the button. His work as an amateur violin-maker is of great merit, and will bring him considerable fame by-and-by if he perseveres with it. He won the gold medal for an exhibit of violins at the Greenock Exhibition, 1893.

George Hart+

Er begann 1887 Geigen zu machen und wurde darin von John A. Mann unterwiesen. Er arbeitet sehr sauber, erhielt 1893 eine goldene Medaille und ahmt die Modelle von Stradivari, Guarneri und Gasp. da Salò nach. Statt einen Zettel einzukleben, schreibt er in seine Geigen:

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