Amati > Makers Archive > Edward Newman (Edward II) Withers

Edward Newman (Edward II) Withers

Auction price history

Highest auction price

£7,475

Type Details Sold Price
Violin 35.9 cm London, 1900 c. March 2008 £1,875
Viola 40.3 cm London, 1900 c. March 2008 £2,750
Violin 35.7 cm Late 19th C. February 2007 £5,411
Violin 1880 c. September 2003 £3,407
Violin 1900 c. May 2001 £1,300
Cello 1880 c. November 1995 £7,475
Violin 188- November 1995 £1,092
Violin 1879 October 1995 £1,725
Viola 39.2 cm 1900 c. December 1993 £1,320
Violin 1880-99 November 1992 £1,150
Viola 40.2 cm 1890 c. June 1992 £2,090
Violin 1900-10 March 1991 £1,320
Violin 1880 c. November 1990 £1,540
Violin 1880 c. September 1989 £1,760
Violin 1888 March 1984 £715
Maker Overview

History

Edward Newman (Edward II) WITHERS (1844-1915) was born in London, UK, on October 22, 1844, and died in 1915. He was the son and pupil of Edward (I) Withers. He commenced business at 31 Coventry Street, London, in 1856. Initially, he worked with his brother George, but they separated shortly after their father's death, with Edward (II) taking control of the main business. Edward (II) established a new shop at 12 Princes Street in 1878, which was renamed 24 Wardour Street the following year. In 1881, he moved again to 22 Wardour Street, an address that remained open under the Withers name until 1991. He was appointed violin maker to H.R.H. the Duke of Edinburgh on June 1, 1893. Edward (II) was notably more active as a practical violin maker than his father, though he also utilized an experienced workshop.


Craft

  • Production Rate: He was said to produce approximately twelve instruments annually, with some sources stating he completed only one violin per month, executing all parts himself.
  • Models: He exclusively copied the Stradivari and Guarneri models.
  • Wood: He used very old and carefully selected wood.
  • Varnish: His varnish was entirely oil-based, varying in color from amber to brown, red, or golden red. He applied amber varnish first, allowing the instrument to dry for some years before applying the color, which was also oil-based. He held a strong belief that varnish significantly affects tone quality, leading him to conduct extensive experiments to understand the "secret out of the great Ghost of Cremona." His varnish is described as exceedingly good, well-laid, rich, "juicy," and perfectly transparent.
  • Instrument Types: He made a large number of instruments, including violins, tenors, and violoncellos.
  • Innovation: In November 1896, Mr. Withers invented the "E. Withers' Patent Prepared Hollow Sound-Post."
  • Bow Making: He was also esteemed as a bow maker, with a great reputation in England for his bows.
  • Notable Instruments: Around 1870, he made a quartet (two violins, viola, and 'cello) from a beam of maple found in his loft. This quartet is considered the finest known in England and was in the possession of his sons.
  • Prices: His prices were violins and tenors from £10 to £65, and violoncellos from £20 to £150.

Influence

  • Teachers: He was the son and pupil of his father, Edward (I) Withers, and also a pupil of John Lott (II).
  • Collaboration: He worked with his father for a period of over twenty-five years, during which he made many new instruments and executed nearly all the principal repairs entrusted to the firm.

Legacy

  • Royal Appointment: He was appointed violin maker to H.R.H. the Duke of Edinburgh in 1893.
  • Family Business: His three sons, Edward Sidney Munns (born August 3, 1870), Sidney Bernard (born October 22, 1873), and Douglas Sidney (born August 10, 1879), assisted him in the business.
  • Business Longevity: The business at 22 Wardour Street remained open under the Withers name until 1991.
  • Esteem: Violins by him are esteemed and sought after.

Further Information

  • Workshop Locations: He commenced business at 31 Coventry Street, London, in 1856. He later established a new shop at 12 Princes Street in 1878, which was renamed 24 Wardour Street the following year. In 1881, he moved to 22 Wardour Street. Sources contain conflicting information, with one also mentioning 22 Leicester Square, London.
  • Label: His label was almost identical to his father's, but included the street name and house number, and was not dated.
  • Personal Life: Mr. Withers played the violin, tenor, and cello, and frequently hosted quartet and symphony parties at his private house, Elmwood, Atkins Road, Clapham Park.

Summary

Edward Newman (Edward II) WITHERS (1844-1915) was a prominent English violin maker, son and pupil of Edward (I) Withers and John Lott (II). Active from 1856, he took control of the family business after his father's death, establishing his workshop at 22 Wardour Street, which operated under the Withers name until 1991. Appointed violin maker to the Duke of Edinburgh in 1893, he was known for his prolific output of about twelve instruments annually, crafted on Stradivari and Guarneri models using carefully selected wood and a distinctive oil varnish application method. He also invented the "E. Withers' Patent Prepared Hollow Sound-Post" and was esteemed as a bow maker. His three sons later assisted him in the business, continuing his legacy.

Found an error? Report Now
Biographies

John Dilworth

WITHERS, Edward Newman (Edward II) Born 1844, died 1915 London UK. Son and pupil of Edward (I) above, active from 1856. Also taught by John Lott (II). Initially worked with his brother George, below, but the brothers fell out almost immediately after the death of Edward (I). Edward (II) took control of the business while George moved to separate premises on St Martin’s Lane, London. Edward established a new shop at 12 Princes Street in 1878, the same building renamed as 24 Wardour Street the following year. In 1881 he moved again to 22 Wardour Street, which remained open under the Withers name until 1991. Appointed violin maker to the Duke of Edinburgh in 1893. Worked twenty-four years with father. Moved to Wardour Street. Edward (II) was certainly more active as a practical violin maker than his father, although he also had an experienced workshop to draw upon. Said to have produced up to twelve instruments annually on Stradivari and Guarneri models. Very fine work in the manner of John Lott.

Sell your instrument with Amati

Get started by uploading photos of your instrument for our experts to review.