Amati > Makers Archive > James Banks

James Banks

Auction price history

Highest auction price

£31,122

Type Details Sold Price
Cello 73.3 cm London, 1799 May 2011 £14,567
Violin 35.5 cm Salisbury, 1796 May 2011 £13,839
Cello 75.7 cm 1800 c. (restorations) [Attributed to] March 2011 £6,960
Cello 73.0 cm Salisbury, 1797 June 2008 £31,122
Violin 35.7 cm Liverpool, 1819 March 2008 £4,800
Viola 38.4 cm Salisbury, 1800 October 2005 £4,016
Violin England, 1760 c. July 2004 £1,920
Cello 1805 November 2002 £17,925
Viola 40.7 cm 1898 June 2002 £5,661
Cello 1800 c. May 2001 £12,867
Viola 38.6 cm 1803 November 2000 £7,475
Viola 40.7 cm 1898 May 2000 £4,217
Viola 1803 November 1999 £7,000
Violin 1796 April 1998 £7,475
Viola 39.1 cm 1800 c. February 1998 £3,105
Violin 1807 May 1997 £2,000
Cello 1805 March 1995 £4,600
Violin 1803 March 1994 £9,200
Cello 1792 June 1991 £12,100
Violin 1803 March 1991 £9,350
Violin 1798 March 1991 £4,400
Viola 38.4 cm 1798 November 1989 £4,950
Violin 1820 November 1989 £506
Violin 1809 September 1987 £242
Viola 40.6 cm 1898 May 1980 £1,210
Maker Overview

History

James Banks (1758-1831) was the son of Benjamin Banks (I). Born in Salisbury around 1756 or 1758, he died on June 15, 1831, in Liverpool. He continued his father's business in Catharine Street, Salisbury, with his brother Henry. In 1811, they sold their Salisbury business and relocated to Liverpool. According to John Dilworth, they opened a shop at 28 Church Street and later at 10 Great Nelson Street. However, Cecie Stainer and William Meredith Morris state they moved to Church Street and then to Bold Street in Liverpool. James Banks was buried in St. Mary's, Edge-hill, Liverpool. After their deaths, many unfinished instruments were found in the cellar of their Liverpool house and were sold in that state, often to the trade.


Craft

  • Role: James Banks was a violin maker, while his brother Henry was a pianoforte tuner and repairer.
  • Workmanship: He was regarded as an excellent workman by Cecie Stainer and a very good workman by William Meredith Morris.
  • Models: He consistently followed the models established by his father, Benjamin Banks (I).
  • Varnish: He used similar varnish to his father, though occasionally his red-colored varnish had more black in it, or was of a 'somewhat blacker tint' according to Willibald Leo Lütgendorff.
  • Tone: William Meredith Morris noted a 'metallic harshness' in the tone of his instruments, suggesting he might have baked his wood, which Morris believed accounted for the inferiority compared to his father's work.
  • Collaborative Work: A violoncello made jointly by James and Henry Banks in 1797 was exhibited in 1872.
  • Labels: Examples of labels include "JAMES AND HENRY BANKS, MUSICAL INSTRUMENT MAKERS AND MUSICSELLERS, SALISBURY, 1800" and "JAMES AND HENRY BANKS, SALISBURY, 1805".

Influence

  • Mentorship: James Banks was a student of his father, Benjamin Banks (I).
  • Stylistic Adherence: He emulated his father's work, using the same models and similar varnish.

Legacy

  • Exhibitions: A violoncello crafted jointly by James and Henry Banks in 1797 was exhibited at the South Kensington Museum, London, in 1872.
  • Ownership: This exhibited violoncello was the property of Mr. C. J. Read of Salisbury.

Further Information

  • Workshop Locations: James Banks operated from Catharine Street in Salisbury. After moving to Liverpool in 1811, he worked from 28 Church Street and later 10 Great Nelson Street, according to John Dilworth. Sources contain conflicting information regarding the final Liverpool address, with Cecie Stainer and William Meredith Morris stating it was Bold Street.
  • Unfinished Instruments: A number of unfinished instruments in the white wood were found in the cellar of their Liverpool house after their deaths and were sold in that state, mostly to the trade.

Summary

James Banks (1758-1831) was a violin maker and the son of Benjamin Banks (I). He continued his father's business in Salisbury with his brother Henry before relocating to Liverpool in 1811. Banks was known for consistently following his father's models and using similar varnish, though some noted a 'metallic harshness' in the tone of his instruments. After his death, unfinished instruments were found and sold from his Liverpool workshop.

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Biographies

John Dilworth

BANKS, James Born 1758 Salisbury, died 1831 Liverpool UK. Son of Benjamin Banks (I), above. Continued the Catharine Street shop in Salisbury with his brother James until 1811, when they moved to Liverpool, opening a shop at 28 Church Street and later 10 Great Nelson Street. Many unfinished instruments were left in the house, which were bought and sold by the Palmer brothers, to be finished up and sold within the London trade.

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