Amati > Makers Archive > Franz Geissenhof

Franz Geissenhof

Auction price history

Highest auction price

£45,600

Type Details Sold Price
Violin Labelled Franciscus Geissenhof fecit. Viennae Anno 1812 and H. Voigt Wien reparirt 1879, branded F.G. March 2024 £45,600
Violin 35.6 cm Vienna, 1820 c. October 2009 £8,156
Violin 36.0 cm Vienna, 1802 October 2009 £8,898
Violin 35.7 cm Vienna, 1808 October 2008 £27,500
Violin 35.7 cm Vienna, 1820 c. October 2006 £9,195
Violin 1812 March 2003 £14,400
Violin 1817 March 2001 £16,600
Violin 1820 March 2001 £11,400
Violin 1802 March 1999 £3,450
Violin 1790 c. November 1998 £12,075
Violin 1804 November 1998 £3,220
Violin 1810 c. October 1997 £9,200
Viola 38.4 cm 1800 c. March 1997 £8,050
Violin 1788 November 1996 £2,091
Violin 1805 November 1996 £1,533
Violin 1790 c. May 1996 £7,141
Violin 1785 c. March 1996 £4,140
Violin 1806 June 1994 £4,025
Violin 1802 March 1994 £5,750
Violin 1795 April 1993 £5,175
Violin 17-- March 1990 £6,600
Violin 1814 April 1987 £1,870
Violin 1799 June 1984 £3,736
Violin 1815 January 1981 £1,369
Maker Overview

History

Franz Geissenhof (1753-1821) was born in Füssen, Germany, and died in Vienna, Austria. Sources contain conflicting information regarding his birth year, with some stating 1753 and others 1754. He was a pupil and successor of Johann Georg Thir, taking his citizenship oath on July 29, 1780. Geissenhof is known as the Viennese Stradivari and is recognized as the finest maker of that school. He was active from 1779, with a viola d'amore cited by Vannes from this period. Initially, he utilized high-built Stainer models, but by 1800, he had transitioned to the Stradivari form, producing a series of highly distinguished instruments in that style. His last known work is dated 1817. The dramatic evolution and variety of his work have unfortunately led to significant deception and forgery, with his label and imitated brand frequently found in inferior instruments.


Craft

  • Workmanship: He exhibited strong, confident workmanship and a high degree of finish.
  • Varnish: His varnish evolved from the dark, thin, and slightly opaque recipe common in Tyrolean work to finely transparent, subtly-tinted coatings found on his later instruments. Some darker colored varnishes display a finely crackled texture.
  • Materials: Excellent wood was used throughout his instruments.
  • Models: He worked after Italian models, particularly the Stradivari model of 1716.
  • Instrument Types: He produced several double-purfled Maggini violin copies, a good number of violas, and rare cellos; only one double bass is recorded.
  • Sound: Willibald Leo Lütgendorff notes that the sound of his violins is "nicht sehr gross" (not very big).
  • Labels: On his labels, he did not always fill in the year, which has resulted in years (up to 1840) being added by other hands on genuine instruments with authentic labels.

Influence

  • Training: He was a pupil of Johann Georg Thir.
  • Mentorship: He was the teacher of J. B. Schweizer.

Legacy

  • Collections: An excellent viola by him was part of the Vienna Music and Theater Exhibition. The Stift Schotten in Vienna possesses two of his violins from 1800 and 1809, while the Stift Klosterneuburg holds one from 1810. Edw. Speyer in Ridgehurst owned a violin from 1804.

Further Information

  • Branding: His instruments are sometimes branded on the back button with 'F. G.'
  • Label Inscription: An example label reads: Franciscus Geissenhof fecit / Viennae Anno 1782.
  • Workshop Location: He resided at Singerstrasse No. 922.

Summary

Franz Geissenhof (1753-1821) was a prominent Viennese luthier, known as the "Viennese Stradivari." A pupil of Johann Georg Thir, he initially used Stainer models but transitioned to the Stradivari form by 1800, producing highly distinguished instruments. His craftsmanship was strong and confident, utilizing excellent wood and evolving varnish techniques. He made violins, violas, and rare cellos, and his instruments are found in notable collections.

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Biographies

John Dilworth

GEISSENHOF, Franz Born 1753 Füssen Germany, died 1821 Vienna Austria Pupil and successor of Johann Georg Thir. Known as the Viennese Stradivari, and recognised as the finest maker of that school. Teacher of Schweitzer. Active from 1779 (viola d’amore cited by Vannes). Initially used high-built Stainer models but by 1800 he had converted to the Stradivari form and made a series of very distinguished instruments in that style, with strong confident workmanship and a high degree of finish. Varnish also developed from the dark thin and slightly opaque recipe commonplace in Tyrolean work, to the finely transparent subtly-tinted coatings found on later work. Some darker coloured varnishes have a finely crackled texture. Excellent wood used throughout. Last known work dated 1817. Several double-purfled Maggini violin copies known; also a good number of violas; cellos are rare, and only one double bass recorded. The dramatic evolution of his work, and its variety has led to a great deal of deception and forgery, and his label and imitated brand are found in a great deal of inferior work. Branded on back button: ‘F. G.’ Franciscus Geissenhof fecit / Viennae Anno 1782

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