Amati > Makers Archive > George (I) Gemunder

George (I) Gemunder

Auction price history

Highest auction price

£30,635

Type Details Sold Price
Violin Labelled George Gemünder fecit, Astoria, L. I., Anno 1875, branded to the inside back G. Gemunder November 2024 £16,024
Violin Labelled George Gemünder fecit, Astoria, L. I., Anno 1878, inscribed G. Gemunder Astoria, N. Y. 1882 November 2024 £30,635
Violin October 2014 £5
Violin October 2012 £9,375
Violin 36.1 cm New York, 1860 December 2011 £5,415
Violin 35.8 cm Astoria, 1889 November 2011 £11,277
Violin 36.0 cm Astoria, 1885 November 2011 £14,285
Violin 35.9 cm Astoria, 1890 [Workshop of] April 2010 £11,784
Violin 35.9 cm New York, 1858 April 2010 £8,439
Violin 35.5 cm New York, 1857 December 2009 £16,800
Violin 36.2 cm Astoria, 1889 October 2009 £7,786
Violin 35.8 cm New York, 1889 October 2009 £12,605
Violin 35.7 cm New York, 1877 May 2008 £5,119
Violin 36.2 cm New York, 1878 May 2007 £8,065
Violin 35.8 cm New York, 1875 October 2006 £5,175
Violin 36.0 cm [Attributed to] May 2006 £3,679
Violin Astoria, 1889 May 2005 £6,106
Violin Astoria, 1888 May 2004 £4,182
Violin New York May 2004 £20,910
Violin 1870 c. October 2003 £5,019
Violin 1877 May 2003 £6,609
Violin 1885 October 2002 £11,472
Violin 1880 June 2002 £4,731
Violin 1884 November 2001 £8,777
Violin 1886 November 1999 £8,625
Violin 1889 March 1986 £1,517
Violin 1894 March 1986 £1,138
Violin 1894 February 1982 £1,070
Violin 1887 January 1981 £1,858
Violin 1892 March 1980 £1,271
Maker Overview

History

George (I) Gemunder (1816-1899) was born in 1816 in Ingelfingen, Baden-Württemberg, and passed away in 1899. He apprenticed with J. B. Vuillaume in Paris. Sources contain conflicting information regarding his emigration to America; John Dilworth states he emigrated in 1847, while Cecie Stainer and Willibald Leo Lütgendorff indicate 1849. He initially joined his brother August in Boston, and the two worked together until 1852. George (I) Gemunder then established himself in New York City, later moving to Astoria, New York State, in 1874. After suffering a stroke in 1889, his sons took over his work. He was widely known as America's greatest maker, a reputation supported by numerous accolades. He was awarded prizes and medals at the London exhibitions of 1851, 1884, and 1885, Paris in 1867, New York in 1870, Vienna in 1873, Philadelphia in 1876, Amsterdam in 1883, Nice in 1883-4, and New Orleans in 1885. He was also the author of Progress in Violin Making, published in 1881 according to John Dilworth and Cecie Stainer, or as a brochure in 1883 according to Willibald Leo Lütgendorff.


Craft

  • Craftsmanship: George (I) Gemunder was an extremely skillful craftsman and copyist, working on most classical models.
  • Notable Work: A violin he entered in the Vienna exhibition of 1873 was mistaken for an original Guarneri del Gesù violin, which ironically prevented it from receiving a prize.
  • Materials: He made extensive and highly successful use of native American wood, including both pine and maples.
  • Product Range: Instruments were available in several grades, related to the model and finish, with 'antiqued' work charged extra.

Influence

  • Apprenticeship: George (I) Gemunder was a pupil of J. B. Vuillaume in Paris.
  • Early Training: According to Willibald Leo Lütgendorff, he also learned from his father, Joh. G.

Legacy

  • Awards and Recognition: He received numerous prizes and medals at international exhibitions, including London (1851, 1884, 1885), Paris (1867), New York (1870), Vienna (1873), Philadelphia (1876), Amsterdam (1883), Nice (1883-4), and New Orleans (1885).
  • Publications: He authored Progress in Violin Making, published in 1881 or 1883.
  • Family Continuity: After he was disabled by a stroke in 1889, his sons continued his work.

Further Information

  • Relocation: George (I) Gemunder moved to Astoria, New York State, in 1874.
  • Publications: He published George Gemunder's Progress in Violin Making in 1881, or a brochure by the same name in 1883.
  • Materials: He was known for his extensive and successful use of native American pine and maple woods.
  • Pricing Structure: 'Antiqued' work on his instruments was charged as an extra cost.

Summary

George (I) Gemunder (1816-1899) was a highly acclaimed American violin maker, known for his exceptional craftsmanship and skill as a copyist. He apprenticed with J. B. Vuillaume and was recognized as America's greatest maker, earning numerous international awards. Gemunder was notable for his successful use of native American woods and authored Progress in Violin Making. His sons continued his work after he suffered a stroke.

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Biographies

John Dilworth

GEMÜNDER, George (I) Born 1816 Ingelfingen, Baden-Württemberg, died 1899, Worked USA. Apprenticed to J. B. Vuillaume in Paris. Emigrated to America in 1847 to join his brother August, above, in Boston. The two worked together until 1852 when George established himself in New York City, moving to Astoria, New York State 1874. Disabled by a stroke in 1889, after which the work was taken over by his sons. Known as America’s greatest maker with good reason. Prizes and medals awarded at the London exhibitions of 1851, 1884, and 1885, Paris 1867, New York 1870, Vienna 1873, Philadelphia 1876, Amsterdam 1883, Nice 1883-4, and New Orleans 1885. Author of Progress in Violin Making (1881). An extremely skilful craftsman and copyist, he worked on most classical models. One violin entered in the Vienna exhibition of 1873 was taken to be an original Guarneri del Gesù violin, and so ironically could not be given a prize. Made extensive and highly successful use of native American wood, both pine and maples. Instruments in several grades related to the model and finish; ‘antiqued’ work charged extra.

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