Amati > Makers Archive > Charles (II) Harris

Charles (II) Harris

Auction price history

Highest auction price

£13,800

Type Details Sold Price
Violin 35.4 cm 1830 c. [Probably by] December 2011 £4,320
Violin 36.1 cm Adderbury, 1820 September 2011 £2,400
Violin 36.0 cm Addebury, 1826 June 2011 £4,200
Violin 35.6 cm [Attributed to] March 2011 £3,000
Cello 76.2 cm 1830 c. November 2006 £13,200
Violin 35.1 cm England, 1st half 19th C. [Attributed to] July 2006 £1,800
Cello 1825 October 2001 £13,475
Cello 1820 November 2000 £13,800
Viola 1824 March 1999 £1,500
Cello 1830 March 1999 £2,645
Viola 38.7 cm 1829 November 1998 £2,530
Violin 1835 November 1998 £4,600
Viola 38.7 cm 1817 November 1997 £2,185
Cello 1820 July 1997 £4,600
Violin 1800 c. November 1996 £4,232
Violin 1825 November 1996 £2,070
Cello 1818 March 1996 £8,625
Cello 1820 June 1995 £2,645
Violin 1819 March 1992 £825
Cello 1817 November 1991 £4,840
Violin 1819 June 1991 £840
Cello 1800 c. November 1990 £3,960
Violin 1800 November 1989 £880
Violin 1800 March 1989 £528
Violin 1825 June 1988 £825
Violin 1825 November 1987 £528
Violin 1821 March 1986 £683
Violin 1800 c. November 1983 £1,100
Maker Overview

History

Charles (II) Harris (1791-1851) was the eldest son and pupil of his father, Charles Harris (I), and a fellow apprentice of Samuel Gilkes under his father, as noted by Cecie Stainer and John Dilworth. He worked for John Hart for some time, specifically until 1828, according to John Dilworth and William Meredith Morris. In 1828, he inherited an estate in Steeple Aston, Oxford, where he became known as 'Lord Harris', continuing his work as a violin maker despite his new status, as documented by John Dilworth. Willibald Leo Lütgendorff states he first lived in Oxford (Alderbury) and then went to London, noting that little is known of him because he worked extensively for John Hart.


Craft

  • Workmanship: His work was well finished, very precise, and exhibited neat workmanship, though William Meredith Morris notes it was not to be compared with that of his father.
  • Varnish: He used yellow varnish, described by John Dilworth as 'golden amber coloured varnish'.
  • Model: His work recalls that of contemporary London makers such as Lockey Hill or Thomas Kennedy, and he used a generally Stradivarian or Amatisé model, according to John Dilworth. Willibald Leo Lütgendorff mentions he liked a long model with narrow ribs.
  • Features: George Hart notes a well-cut scroll but sound-holes that were not well formed.
  • Signature: Instruments were signed internally, as stated by John Dilworth.
  • Specialty: His cellos are particularly admired, according to John Dilworth.

Influence

  • Mentorship: He was the son and pupil of his father, Charles Harris (I), and a fellow apprentice of Samuel Gilkes under his father, as detailed by Cecie Stainer and John Dilworth.
  • Pupils: He trained William Ebsworth Hill in Oxford around 1835-1838, according to John Dilworth.

Legacy

  • Status: After inheriting an estate in Steeple Aston, Oxford, in 1828, he became known as 'Lord Harris', as documented by John Dilworth.

Further Information

  • Life Dates: Born in London in 1791 and died in Steeple Aston, Oxfordshire, UK, in 1851, according to John Dilworth.
  • Locations: He worked in London for John Hart and later resided in Steeple Aston, Oxford, after 1828.


Summary

Charles (II) Harris (1791-1851) was a distinguished English luthier, the eldest son and pupil of Charles Harris (I). He trained under his father alongside Samuel Gilkes and worked for John Hart until 1828. After inheriting an estate in Steeple Aston, Oxfordshire, he became known as ‘Lord Harris’ but continued his craft, notably training William Ebsworth Hill in Oxford. His instruments are characterized by precise, well-finished workmanship, often featuring a golden amber or yellow varnish and following Stradivarian or Amatisé models, with his cellos being particularly esteemed.


Found an error? Report Now
Biographies

John Dilworth

HARRIS, Charles (II) Born 1791 London, died 1851 Steeple Aston, Oxfordshire UK. Son and pupil of his father Charles Harris (I), above. Worked for John Hart until 1828 when he inherited an estate in Steeple Aston, Oxford where he became known as ‘Lord Harris’. He continued working as a violin maker despite his new status and trained William Ebsworth Hill in Oxford c.1835-1838. His work is very precise and recalls that of contemporary London makers such as Lockey Hill or Thomas Kennedy, with golden amber coloured varnish and a generally Stradivarian or Amatisé model. Cellos are particularly admired. Signed internally. [BVMA]

Sell your instrument with Amati

Get started by uploading photos of your instrument for our experts to review.