Amati > Makers Archive > V > Joseph Arthur and Andre Vigneron

Joseph Arthur and Andre Vigneron

Auction Price History

Highest auction price

£23,245

7 results

Type Details Auction house Sold Price
Violin BowSilver mounted, round stick stamped A. Vigneron à Paris Lot 52TarisioSeptember 2025£6,697est. € 6.000-9.000
Viola BowSilver mounted, thin lapping Lot 180VichyJune 2025£14,074est. € 12.000-15.000
Violin BowSilver mounted, signed A. Vigneron à Paris Lot 38VichyNovember 2023£7,734est. € 6.000-8.000
Viola BowSilver mounted, thin hair and lapping, dedication on the ferrule and heel to M. Yalowicz July 1907 Lot 50VichyJune 2022£23,245est. € 14.000-15.000
Violin BowNickel mounted, filled hole to stick just beyond lapping towards head Lot 51Brompton’sMarch 2019£3,120est. £ 3,000-5,000
Violin BowSilver mounted, round stick stamped A. Vigneron A Paris, button probably later Lot 120TarisioOctober 2015£5,056est. $ 3,000-5,000
Violin BowSilver mounted, round stick stamped A. Vigneron A Paris Lot 90TarisioAugust 2015£3,823est. $ 3,000-5,000

Maker Overview

Life

Joseph Arthur Vigneron (1851–1905) and his son André Vigneron (1881–1924) were distinguished French bow makers of the Parisian school. Joseph Arthur was born in Mirecourt and trained with Claude Nicolas Husson before working for Jean-Joseph Martin and later for Gand & Bernardel in Paris. In 1888 he established his own workshop at 54 rue de Cléry, where he produced bows that became renowned for their strength, balance, and exceptional playing qualities.

Around 1900, André Vigneron joined his father in the family workshop. The two worked closely together during the final years of Joseph Arthur’s life, and bows from this period may show the influence of both makers. André was trained directly by his father and absorbed the characteristic Vigneron style, while already demonstrating a slightly more refined and elegant approach to craftsmanship.

Following Joseph Arthur’s death in 1905, André succeeded to the workshop and continued making bows in the family tradition before developing a more personal model, influenced in part by his later association with Eugène Sartory.

The Vigneron workshop occupies an important place in the history of French bow making, representing a direct continuation of the Mirecourt tradition within the flourishing Parisian school of the late nineteenth and early twentieth centuries. Joseph Arthur is regarded as one of the great classical French archetiers, while André is recognised for producing bows of excellent quality that remain highly appreciated by professional musicians and collectors alike.

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