Michel Pacherele
Mirecourt, worked 1767–1789
Son of Jacob Pacherele, above. Although Paris is given on one label, below, cited by Vidal, he is recorded as living continuously in Mirecourt throughout his period of activity. Instruments in the style of Guersan, high arched, clear yellow-orange varnish. Name branded on back button. — John Dilworth
Auction Price History
Highest auction price
5 results
| Type | Details | Auction house | Sold | Price |
|---|---|---|---|---|
| Bearing the maker's brand below the button, ribs blemish, minor restorations Lot 314 | — | November 2019 | £3,180est. € 1.000-1.500 | |
| Bearing the maker's brand under the button, many back restorations, table worm Lot 514 | — | November 2016 | £409est. € 500 | |
| 1/2 size violin, bearing the maker's brand, neck blemish, many table and head restorations Lot 154 | — | September 2016 | £176est. € 50 | |
| Bearing the maker's brand under the button, table worm, original neck Lot 466 | — | June 2015 | £963est. € 800-1.000 | |
| Violin | Branded Pacherele below the button Lot 5 | Gardiner | March 2012 | £1,320est. £ 300-500 |
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Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
PACHERELE, Michel Worked circa. 1767-1789 Mirecourt France. Son of Jacob Pacherele, above. Although Paris is given on one label, below, cited by Vidal, he is recorded as living continuously in Mirecourt throughout his period of activity. Instruments in the style of Guersan, high arched, clear yellow-orange varnish. Name branded on back button. Manuscript label: Michel Pacherele, luthier / rue d’Argenteuil, à Paris, 1779
Willibald Leo Lütgendorff+
Er stammte wahrscheinlich aus Mirecourt und war wohl ein Schüler
Guersan’s, an dessen Arbeit seine Geigen erinnern, sie zeichnen sich jedoch in
keiner Weise aus. Sie sind handwerksmässig gemacht, nicht allzuhoch gewölbt
und haben gelben Lack. Ausser seinem Zettel verwendet er auf der Aussenseite des Bodens noch einen Brandstempel mit seinem Namen.
Cecie Stainer+
A maker in Paris in 1779. He followed the pattern of Guersan. His instruments were fairly well made, slightly arched, with yellow varnish. His name is branded on the top of the back, and he used a MS. label: ” Michel Pacherele, luthier rue d’Argenteuil a Paris, 1779.”
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