Amati > Makers Archive > Giovanni Tononi

Giovanni Tononi

Auction price history

Highest auction price

£157,381

Type Details Sold Price
Cello 77.3 cm Bologna, 1680 c. November 2011 £157,381
Violin 35.3 cm Bologna, 1700 c. (top possibly later) [Probably by] June 2009 £4,800
Viola 41.1 cm Bologna, 1700 c. (later ribs, head probably later) [Attributed to] March 2008 £86,450
Violin 35.6 cm Bologna, 1690 c. (the head probably by "G.B. Rogeri") March 2008 £43,700
Violin 35.1 cm (soundholes altered) October 2007 £27,130
Violin 33.7 cm Bologna, 1700 c. (scroll later) May 2007 £10,016
Violin 34.8 cm Bologna, 1700 c. November 2006 £26,400
Violin 35.1 cm Bologna, 1700 c. [Ascribed to] November 2006 £10,800
Violin 35.8 cm Bologna, 1696 c. May 2006 £31,883
Violin Bologna, 1700 c. May 2005 £24,952
Violin Bologna, 1700 c. November 2004 £42,000
Violin Bologna [Attributed to "Matteo Goffriller"] March 2004 £35,850
Violin 1696 November 2001 £37,518
Violin 1704 October 1995 £27,600
Violin 1690 c. November 1991 £31,900
Violin 1700 c. April 1983 £2,420
Biographies

John Dilworth

TONONI, Giovanni Born circa. 1640, died 1713 Bologna Italy. Son of Gaspare, a ‘case-maker’. Active from 1688. Very fine and distinguished work, although quite variable. It is probable that alongside his son Carlo, Guidanti may have participated in the workshop. Amati model, some with quite dished edges and medium height of arch. Slightly boxy in the Stainer manner; others of generally fuller modelling. The heads are distinctive with the volute rather small and cramped, especially on the cellos. Some have a broad and well-handled chamfer; others a less confident line. The soundholes are well cut and open with slender slightly pointed wings, possibly set a little close together. Edges and corners are broad. The precise purfling is of beech with long corner mitres. The varnish is also very changeable: from a very Amati-like golden honey-brown to a darker red-brown, with a variety of textures. A wide range of materials: very plain maple backs to intensely figured root wood and subtly figured slab-cut pieces. Conventional jointed straight figured backs are comparatively rare. Some violas recorded, but cellos are renowned, and most impressive in a manner recalling the best Venetian work of Gofriller. Joannes de Tononis fecit Bononiae / in Via Mamuli Anno 1699 Joannes Tunonus fecit Bononiae / in Platea Pavaglionis Anno Domini 1690

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