Sergio Peresson
Genoa, Haddonfield, Haddonfield NJ, Udine, 1913–1991
Active from 1943. Moved to Caracas, Venezuela in 1947. Employed as repairer to the Venzuelan Symphony Orchestra. Moved to Philadelphia to work for William Moennig 1963-1971. Established independently in Haddonfield from 1971. Prolific maker. — John Dilworth
Auction Price History
Highest auction price
28 results
| Type | Details | Auction house | Sold | Price |
|---|---|---|---|---|
| Violin | Labelled Sergio Peresson di Udine Fece Anno 1978 Haddonfield, signed to the label, branded S. Peresson Lot 123 | Tarisio | January 2025 | £46,342est. $ 20,000-30,000 |
| Viola | Labelled Sergio Peresson di Udine Fece Anno 1988 Haddonfield, signed to the label, branded S. Peresson Lot 43 | Tarisio | January 2024 | £17,818est. $ 18,000-25,000 |
| Violin | Labelled Sergio Peresson di Udine fece anno 1980 Haddonfield, signed to the label, branded S. Peresson Lot 105 | Tarisio | January 2024 | £25,790est. $ 20,000-30,000 |
| Violin | Labelled S. Peresson, in Udine 1946, Vicolo Chiuso n1, signed to the label, branded Peresson, Udine 19... Lot 233 | Tarisio | March 2020 | £17,700est. £ 15,000-22,000 |
| Viola | Labelled Sergio Peresson di Udine, Fece Anno 1978, branded internally S. Peresson Lot 47 | Tarisio | February 2019 | £16,255est. $ 18,000-25,000 |
| Viola | Labelled Sergio Peresson di Udine, Fece anno 1973, branded internally S. Peresson Lot 65 | Tarisio | November 2018 | £25,120est. $ 20,000-30,000 |
| Viola | Labelled Sergio Peresson di Udine, fece anno 1979, Haddonfield, signed to the label, branded S. Peresson Lot 16 | Tarisio | March 2017 | £9,000est. £ 7,000-10,000 |
| Viola | Labelled Sergio Peresson di Udine, Fece Anno 1980, Haddonfield Lou..., branded internally S. Peresson Lot 41 | Tarisio | February 2017 | £16,559est. $ 12,000-18,000 |
| Cello | Labelled Sergio Peresson di Udine, Fece Anno 1972, branded internally S. Peresson signed to inside top Lot 62 | Tarisio | February 2017 | £33,118est. $ 35,000-55,000 |
| Violin | Labelled Joseph Guarnerius filius Andreae fecit Cremone sub titulo S. Teresie 1706 Lot 186 | Tarisio | February 2017 | £19,245est. $ 20,000-30,000 |
| Violin | Labelled Sergio Peresson di Udine, Fece anno 1984 signed to the label Sergio Peresson, original bridge Lot 233 | Tarisio | October 2016 | £34,459est. $ 20,000-30,000 |
| Violin | Labelled Sergio Peresson di Udine fece Anno 1986, Haddonfield Lot 267 | Tarisio | October 2014 | £17,259est. $ 18,000-25,000 |
| Viola | Labelled Sergio Peresson di Udine, Fece Anno 1979, Haddonfield, branded to the inside back S. Peresson Lot 100 | Tarisio | October 2013 | £7,526est. $ 10,000-15,000 |
| Viola | 42.2 cm Haddonfield, 1984 | — | January 2011 | £11,277 |
| Viola | 41.7 cm Haddonfield, 1971, "ex-Isaac Stern" | — | January 2011 | £45,109 |
| Violin | 35.4 cm Haddonfield, NJ, 1986 | — | January 2011 | £20,592 |
| Viola | 43.4 cm Haddonfield, 1977 | — | January 2011 | £14,567 |
| Viola | 42.0 cm Udine, 1962 | — | January 2009 | £11,864 |
| Violin | 35.5 cm Genoa, 1962 | — | January 2008 | £18,720 |
| Viola | 44.0 cm Haddonfield, 1974 | — | January 2005 | £7,327 |
| Violin | Haddonfield, 1980 | — | January 2005 | £12,532 |
| Cello | Haddonfield, 1972 | — | January 2004 | £17,495 |
| Violin | Haddonfield, 1986 | — | January 2004 | £16,084 |
| Violin | 1971 | — | January 2003 | £18,400 |
| Violin | 1973 | — | January 2003 | £18,400 |
| Violin | 1984 | — | January 2001 | £12,766 |
| Violin | 1975 | — | January 1996 | £13,800 |
| Violin | 1967 | — | January 1995 | £13,800 |
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Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
PERESSON, Sergio Born 1913 Udine Italy, died 1991 Haddonfield, New Jersey USA. Active from 1943. Moved to Caracas, Venezuela in 1947. Employed as repairer to the Venzuelan Symphony Orchestra. Moved to Philadelphia to work for William Moennig 1963-1971. Established independently in Haddonfield from 1971. Prolific maker. Early work finely finished, using Guarneri models and shaded spirit varnish. Gained a high reputation amongst players for his copies of master instruments, especially cellos, capitalising on his experience in Moennig’s shop. Clients included cellists du Pré and Rostropovich. Later relied to some extent on pre-fabricated parts and general standard of work became less consistent
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