Amelot
Lorient, worked 1812–1845
Style of Lupot with red-orange varnish. Particularly fine double basses and cellos. Manuscript label: Réparé par / Amelot à Lorient / 1842 — John Dilworth
Auction Price History
Highest auction price
6 results
| Type | Details | Auction house | Sold | Price |
|---|---|---|---|---|
| Bearing the maker's label, restored head Lot 363 | — | June 2021 | £7,482est. € 7.000-8.000 | |
| Bearing the maker's brands to the table and back, three ribs missing, table sound post restoration Lot 64 | — | November 2017 | £2,112est. € 1.500-2.000 | |
| Bearing the maker's label and brand to the table, good condition Lot 209 | — | December 2014 | £3,390est. € 2.000-2.500 | |
| Bearing the maker's label, some table restorations, table sound post restoration Lot 273 | — | June 2012 | £3,882est. € 3.000-4.000 | |
| Cello | 74.8 cm Lorient, 1840 Probably by | — | January 2011 | £11,653 |
| Viola | 38.1 cm 1820 | — | January 1994 | £2,077 |
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Biographies
The overview above is drawn from the following published accounts. Read them in the original:
John Dilworth+
AMELOT Worked 1812-1845 Lorient, Brittany France. Style of Lupot with red-orange varnish. Particularly fine double basses and cellos. Manuscript label: Réparé par / Amelot à Lorient / 1842
Willibald Leo Lütgendorff+
Gewöhnliche, französische Arbeit, kleiner Ton, manchmal gelber, meist aber röthlicher Lack. Er verwendet einen reichverzierten Zettel mit nebenstehendem Wortlaut.
George Hart+
worked early in the present century. He used a highly ornamented label.
Cecie Stainer+
A maker in Lorient (France) about 1812-29. His instruments are poor, the varnish is yellow colour.
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