Amati > Makers Archive > P > Claude Pirot

Claude Pirot

Paris, worked 1795–1835

Established in the rue des Grands Augustins. Fine Stradivari model, some with slightly raised arch; best examples comparable with Lupot. Fine scrolls with elongated peg box. Excellent materials; frequently backs of one piece. Thick red-brown or pale yellow varnish. Sometimes branded on lower rib. — John Dilworth

Worked Paris
Made Cello, Viola, Violin

Auction Price History

Highest auction price

£21,600

38 results

Type Details Auction house Sold Price
ViolinBearing the maker's label and brands to the lower rib and back Lot 168VichyDecember 2025£11,510est. € 8.000-10.000
ViolinLabelled C. Pirot fecit Parisiis anno 1803, inscribed to the inside back ... Pirot Lot 159TarisioNovember 2025£20,254est. $ 8,000-12,000
ViolinBearing the maker's label, some table restorations, minor back blemish Lot 255LaurentJanuary 2024£16,813est. € 8.000-10.000
ViolinBearing the maker's label Lot 10VichyDecember 2020£20,159est. € 10.000-12.000
ViolinBernard Millant collection, bearing the maker's label and brand Lot 302VichyNovember 2019£19,510est. € 12.000-15.000
ViolinLabelled Fent Lot 325VichyNovember 2019£10,770est. € 5.000-6.000
ViolinLabelled C. Pirot fecit, Parisis anno 1806, branded to the lower ribs Pirot Lot 206TarisioMarch 2019£17,700est. £ 15,000-22,000
ViolinLabelled C. Pirot Fecit Parisiis 1813, branded Pirot, above the label and in the upper back Lot 13Ingles & HaydayOctober 2018£21,600est. £ 15,000-25,000
ViolinLabelled C. Pirot Fecit Parisiis Anno 1812, branded Pirot above the label and in the upper back Lot 228Ingles & HaydayOctober 2018£15,600est. £ 12,000-18,000
ViolinBearing the maker's brand to the lower rib, revarnished Lot 264VichyJune 2018£3,681est. € 4.000-5.000
ViolinBearing the maker's label and brands Lot 15VichyNovember 2017£21,120est. € 12.000-15.000
ViolinBearing the maker's label and brands to the table and back Lot 405VichyJune 2017£14,616est. € 13.000-15.000
ViolinLabelled Pique Lot 309VichyDecember 2016£5,585est. € 6.000-8.000
ViolinBearing the maker's brands internally to the back Lot 451VichyJune 2015£4,379est. € 5.000-6.000
ViolinBearing the maker's label Lot 462VichyDecember 2014£10,359est. € 6.000-8.000
ViolinBearing the maker's brand to the back internally Lot 160VichyJune 2013£18,360est. € 15.000-20.000
Violin35.2 cm Early 19th C. Attributed toJanuary 2011£4,040
Violin35.8 cm Paris, 1804January 2007£19,700
Violin35.7 cm Attributed toJanuary 2006£3,360
ViolinParis, 1818 Ascribed to & possibly byJanuary 2004£5,090
Violin1820 c.January 2003£10,856
Violin1803January 2002£6,118
Violin1810January 2001£1,400
Cello1820January 2000£15,280
Violin1800January 2000£11,968
Violin1923January 1998£10,268
Violin1820 c.January 1998£5,750
Violin1806January 1997£920
Violin1812January 1992£9,900
Violin1815January 1991£4,840
Violin1803January 1991£4,620
Violin1806January 1990£7,260
Violin1815January 1988£3,410
Violin1822January 1988£3,740
Violin1815 c.January 1988£1,100
Violin1816January 1987£3,520
Viola39.7 cm 1804January 1983£2,200
Violin180-January 1981£1,430

Biographies

The overview above is drawn from the following published accounts. Read them in the original:

John Dilworth+

PIROT, Claude Worked circa. 1795-1835 Paris France. Established in the rue des Grands Augustins. Fine Stradivari model, some with slightly raised arch; best examples comparable with Lupot. Fine scrolls with elongated peg box. Excellent materials; frequently backs of one piece. Thick red-brown or pale yellow varnish. Sometimes branded on lower rib. Printed label: Cde. Pirot Fecit / Parisiis Anno 1810

Cecie Stainer+

A maker in Paris about 1800-20 He made good violins on the Italian pattern ; the bellies are slightly arched, the backs hardly at all; the sound-holes are well cut; the varnish is very thick, sometimes red-brown, sometimes pale yellow colour.
Similar labels have been found in violins dated 1808, 1810, 1813.

Willibald Leo Lütgendorff+

Ein verdienstvoller Geigenmacher, der die Italiener gut studirt hat und Lupot manchmal nahekommt. Die Wölbung nahm er ziemlich flach und schnitt die F-Löcher besonders schön. Sein rother oder rothbrauner Lack ist ziemlich dick und nicht durchsichtig genug. Zwei Violinen von ihm von 1803 und 1813 besitzt das Museum des Pariser Conservatoriums (No. 29 und No. 1012) und eine Violine von 1810 Berlin aus der Sammlung Snoeck.

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